Francisco José De Goya Y Lucientes Collection (#9)

Winter Scene, c. 1786. Creator: Francisco Goya
Winter Scene, c. 1786

Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco Goya
Portrait of General Jose Manuel Romero, c. 1810

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

Portrait of Isidoro Maiquez, c. 1807. Creator: Francisco Goya
Portrait of Isidoro Maiquez, c. 1807

Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya
Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806

Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806. Creator: Francisco Goya
Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806

Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco Goya
Friar Pedro Wrests the Gun from El Maragato, c. 1806

Boy on a Ram, 1786 / 87. Creator: Francisco Goya
Boy on a Ram, 1786/87

Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco Goya
Friar Pedro Binds El Maragato with a Rope, c. 1806

La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash)
990038 La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info.: La Bouillie)

Do those who escape work end up like this?, (black lead, brush and black and grey wash)
989993 Do those who escape work end up like this?, (black lead, brush and black and grey wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info)

Those specks of dust, Plate 23 from "Los Caprichos", 1799 (etching with hand colouring on laid paper)
996092 Those specks of dust, Plate 23 from " Los Caprichos", 1799 (etching with hand colouring on laid paper) by Goya y Lucientes

Merry folly (Disparate alegre), Plate 12 from "Los Proverbios", c
996082 Merry folly (Disparate alegre), Plate 12 from " Los Proverbios", c.1819-24 (etching, aquatint, lavis, burnisher, drypoint & burin on paper) by Goya y Lucientes

The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint)
3036385 The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: The Sleep of Reason Produces Monsters)

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya
Senora Sabasa Garcia, c. 1806/1811

Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya
Charles IV of Spain as Huntsman, c. 1799/1800

BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya
Bartolome Sureda y Miserol, c. 1803/1804

Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya
Young Lady Wearing a Mantilla and Basquina, c. 1800/1805

Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Victor Guye, 1810. Creator: Francisco Goya
Victor Guye, 1810

Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya
Therese Louise de Sureda, c. 1803/1804

Don Antonio Noriega, 1801. Creator: Francisco Goya
Don Antonio Noriega, 1801

The Marquesa de Pontejos, c. 1786. Creator: Francisco Goya
The Marquesa de Pontejos, c. 1786

Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya
Portrait of a Young Man, ca. 1820

Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya
Philip IV on horseback, after Velazquez, 1778

Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a
Plate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816

Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816

Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816

Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]
Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816

Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816

Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816

Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816

Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816

Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816

Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778

Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca. 1816-23 (published 1864)

Plate 18 from the Disparates : Birds of a feather flock together, ca
Plate 18 from the Disparates :Birds of a feather flock together, ca. 1816-23 (published 1864)

Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)
Plate 9 from the Disparates :General folly, ca. 1816-23 (published 1864)

Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

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Francisco José de Goya y Lucientes, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's mastery in capturing the human form with sensuality and realism. In contrast to this sensual masterpiece, Goya also painted a portrait of Field Marshal Arthur Wellesley, known as the 1st Duke of Wellington. Completed in 1814, this portrait exemplifies Goya's ability to capture not only physical likeness but also the personality and character of his subjects. Goya's artistic prowess extended beyond traditional portraiture and into more imaginative realms. His work "Ridiculous Dream" from 1819-1823 displays his unique ability to blend fantasy with social commentary. Through dreamlike imagery, he critiques societal absurdities and challenges conventional norms. Another notable series by Goya is "Los Caprichos, " which includes Plate 80 titled "It is time. " Created in 1799, this print reflects Goya's satirical approach towards society's vices and follies. Glimpses into everyday life can be found in works like "Boys Playing at Soldiers, " an oil painting dating back to c. 1775-99. Here we see a glimpse into childhood innocence amidst tumultuous times. Continuing with Los Caprichos series, Plate 60 titled "Trials" offers a biting critique on justice systems through darkly humorous imagery that highlights their flaws. Plate 25 from Los Caprichos titled "If he broke the pot" further explores human folly through its depiction of foolish actions leading to consequences. One cannot discuss Francisco Goya without mentioning one of his most iconic pieces - La Maja Desnuda (The Naked Maja).