Francisco José De Goya Y Lucientes Collection (#5)

Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching)
IND81931 Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.9x35.7 cm; Private Collection; Index Fototeca

The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of The Art of Bullfighting, pub
IND81905 The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Two teams of picadors thrown one after the other by a single bull, plate 32 of The Art of Bullfighting, pub
IND81932 Two teams of picadors thrown one after the other by a single bull, plate 32 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)
IND81906 The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching)
IND82112 Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

The celebrated picador Fernando del Toro draws the fierce beast on with his pike, plate 27 of The Art of Bullfighting
IND81927 The celebrated picador Fernando del Toro draws the fierce beast on with his pike, plate 27 of The Art of Bullfighting, pub

A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub. 1816 (etching)
IND81926 A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa
IND81922 Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa, plate 22 of The Art of Bullfighting, pub

193-0082141 Neither more nor less, plate 41 of Los caprichos, 1799 (etching)
IND81660 193-0082141 Neither more nor less, plate 41 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x15.2 cm; Private Collection; Index Fototeca

Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts in Madrid
IND82100 Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts in Madrid, 1864 (etching) by Goya y Lucientes

193-0082178 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching)
IND81697 193-0082178 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

193-0082173 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching)
IND81692 193-0082173 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching)
IND81650 193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

193-0082116 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching)
IND81635 193-0082116 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes

193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching)
IND81634 193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

Love and death, plate 10 of Los caprichos, pub. 1799 (etching)
IND81629 Love and death, plate 10 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

Riddle of the poor, plate 11 of Proverbs, 1819-23, pub. 1864 (etching)
IND82111 Riddle of the poor, plate 11 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.8 cm; Private Collection; Index Fototeca

General riddle, plate 9 of Proverbs, 1819-23, pub. 1864 (etching)
IND82109 General riddle, plate 9 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.8x35.9 cm; Private Collection; Index Fototeca

The Cid Campeador (El Cid, Rodrigo diaz de Vivar) (c. 1043-99) spearing another bull
IND81911 The Cid Campeador (El Cid, Rodrigo diaz de Vivar) (c.1043-99) spearing another bull, plate 11 of The Art of Bullfighting, pub

Another way of hunting on foot, plate 2 of The Art of Bullfighting, pub. 1816 (etching)
IND81902 Another way of hunting on foot, plate 2 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.5 cm; Private Collection; Index Fototeca

193-0082176 Is this your excellency? well, as I say eh! Look out! Otherwise plate 76 of Los caprichos, 1799 (etching)
IND81695 193-0082176 Is this your excellency?.. well, as I say.. eh! Look out! Otherwise.. plate 76 of Los caprichos, 1799 (etching) by Goya y Lucientes

193-0082164 Bon voyage, plate 64 of Los caprichos, 1799 (etching)
IND81683 193-0082164 Bon voyage, plate 64 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

193-0082146 Correction, plate 46 of Los caprichos, 1799 (etching)
IND81665 193-0082146 Correction, plate 46 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15 cm; Private Collection; Index Fototeca

193-0082161 They have flown, plate 61 of Los caprichos, 1799 (etching)
IND81680 193-0082161 They have flown, plate 61 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

Riddle of fury, plate 6 of Proverbs, 1819-23, pub. 1864 (etching)
IND82106 Riddle of fury, plate 6 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Female riddle, plate 1 of Proverbs, 1819-23, pub. 1864 (etching)
IND82101 Female riddle, plate 1 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

193-0082174 Don t scream, stupid, 1799 (etching)
IND81693 193-0082174 Don t scream, stupid, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.1 cm; Private Collection; Index Fototeca

193-0082160 Trials, plate 60 of Los caprichos, 1799 (etching) 8221x16. 6
IND81679 193-0082160 Trials, plate 60 of Los caprichos, 1799 (etching) 8221x16.6 by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; Index Fototeca

193-0082152 What a tailor can do!, plate 52 of Los caprichos, 1799 (etching)
IND81671 193-0082152 What a tailor can do!, plate 52 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.1 cm; Private Collection; (add.info)

Because she was susceptible, plate 32 of Los caprichos, 1799 (etching)
IND81651 Because she was susceptible, plate 32 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

193-0082127 Which of them is more overcome?, plate 27 of Los caprichos, pub. 1799 (etching)
IND81646 193-0082127 Which of them is more overcome?, plate 27 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828)

193-0082180 It is time, plate 80 of Los caprichos, 1799 (etching)
IND81699 193-0082180 It is time, plate 80 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

193-0082177 What one does to another, plate 77 of Los caprichos, 1799 (etching)
IND81696 193-0082177 What one does to another, plate 77 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

193-0082165 Where is mother going?, plate 65 of Los caprichos, 1799 (etching)
IND81684 193-0082165 Where is mother going?, plate 65 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.2 cm; Private Collection; Index Fototeca

193-0082153 What a golden beak!, plate 53 of Los caprichos, 1799 (etching)
IND81672 193-0082153 What a golden beak!, plate 53 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

A gift for the master, plate 47 of Los caprichos, 1799 (etching) (see also 175023)
IND81666 A gift for the master, plate 47 of Los caprichos, 1799 (etching) (see also 175023) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15 cm; Private Collection; Index Fototeca

193-0082133 To the Count Palatine (or Count of the Palate), plate 33 of Los caprichos, 1799 (etching)
IND81652 193-0082133 To the Count Palatine (or Count of the Palate), plate 33 of Los caprichos, 1799 (etching) by Goya y Lucientes

193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching)
IND81649 193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; Index Fototeca

193-0082129 That certainly is being able to read, plate 29 of Los caprichos, pub. 1799 (etching)
IND81648 193-0082129 That certainly is being able to read, plate 29 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes

193-0082118 And his house is on fire, plate 18 of Los caprichos, pub. 1799 (etching)
IND81637 193-0082118 And his house is on fire, plate 18 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.4 cm; Private Collection; Index Fototeca

193-0082106 Nobody knows himself, plate 6 of Los caprichos, pub. 1799 (etching)
IND81625 193-0082106 Nobody knows himself, plate 6 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

193-0082104 Nannys boy, plate 4 of Los caprichos, pub. 1799 (etching)
IND81623 193-0082104 Nannys boy, plate 4 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.9x15.1 cm; Private Collection; Index Fototeca

They say yes and give their hand to the first comer, plate 2 of Los caprichos, pub. 1799 (etching)
IND81621 They say yes and give their hand to the first comer, plate 2 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes

The bad woman (Mala mujer). The wicked woman. Anthropophagy scene, a witch devours a child
JLJ4571999 The bad woman (Mala mujer). The wicked woman. Anthropophagy scene, a witch devours a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun

The way in which the ancient Spaniards hunted bulls on horse-back in the open country
IND81901 The way in which the ancient Spaniards hunted bulls on horse-back in the open country, plate 1 of The Art of Bullfighting, pub

193-0082167 Wait till you ve been anointed, plate 67 of Los caprichos, 1799 (etching)
IND81686 193-0082167 Wait till you ve been anointed, plate 67 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; Index Fototeca

193-0082166 There it goes, plate 66 of Los caprichos, 1799 (etching)
IND81685 193-0082166 There it goes, plate 66 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.7 cm; Private Collection; Index Fototeca

How they pluck her!, plate 21 of Los caprichos, pub. 1799 (etching & burnished aquatint)
IND81640 How they pluck her!, plate 21 of Los caprichos, pub. 1799 (etching & burnished aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x14.9 cm; Private Collection; Index Fototeca

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Francisco José de Goya y Lucientes, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's mastery in capturing the human form with sensuality and realism. In contrast to this sensual masterpiece, Goya also painted a portrait of Field Marshal Arthur Wellesley, known as the 1st Duke of Wellington. Completed in 1814, this portrait exemplifies Goya's ability to capture not only physical likeness but also the personality and character of his subjects. Goya's artistic prowess extended beyond traditional portraiture and into more imaginative realms. His work "Ridiculous Dream" from 1819-1823 displays his unique ability to blend fantasy with social commentary. Through dreamlike imagery, he critiques societal absurdities and challenges conventional norms. Another notable series by Goya is "Los Caprichos, " which includes Plate 80 titled "It is time. " Created in 1799, this print reflects Goya's satirical approach towards society's vices and follies. Glimpses into everyday life can be found in works like "Boys Playing at Soldiers, " an oil painting dating back to c. 1775-99. Here we see a glimpse into childhood innocence amidst tumultuous times. Continuing with Los Caprichos series, Plate 60 titled "Trials" offers a biting critique on justice systems through darkly humorous imagery that highlights their flaws. Plate 25 from Los Caprichos titled "If he broke the pot" further explores human folly through its depiction of foolish actions leading to consequences. One cannot discuss Francisco Goya without mentioning one of his most iconic pieces - La Maja Desnuda (The Naked Maja).