Francisco José De Goya Y Lucientes Collection (#8)

193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching)
IND81659 193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.6x15.2 cm; Private Collection; Index Fototeca

193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching)
IND81691 193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching)
IND81674 193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)
IND81656 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; (add.info)

A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching)
IND82113 A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint)
IND81662 The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint) by Goya y Lucientes

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas)
897495 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas)
900649 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas)
XIR194741 The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Bullfighting, 1815-16 (red chalk on paper)
XKH179017 Bullfighting, 1815-16 (red chalk on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.3x29.5 cm; Hamburger Kunsthalle, Hamburg, Germany

Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631)
CHT175021 Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

The Bullfight, c. 1825 (oil on canvas)
SCP36793 The Bullfight, c.1825 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 38x46 cm; Prado, Madrid, Spain

Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)
CH438388 Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 23.4x14.3 cm; Private Collection; (add.info)

Francisco Jose de Goya y Lucientes, from Living Biographies of Great Painters
3960943 Francisco Jose de Goya y Lucientes, from Living Biographies of Great Painters by Ross, Gordon (1872-1946); (add.info.: Francisco Jose de Goya y Lucientes, 1746-1828)

"Le buveur"Francisco de Goya y Lucientes (1746-1828). 1777. Madrid. Musee du Prado
AIS5367294 " Le buveur" Francisco de Goya y Lucientes (1746-1828). 1777. Madrid. Musee du Prado. by Goya y Lucientes, Francisco Jose de (1746-1828); © Iberfoto

"Les joueurs de cartes"Peinture de Francisco de Goya y Lucientes (1746-1828)
AIS5367311 " Les joueurs de cartes" Peinture de Francisco de Goya y Lucientes (1746-1828) pour une tapisserie fabriquee a la manufacture royale de tapisserie pour la salle a manger du

Tauromachie : un torero se prepare a tuer en utilisant un chapeau a la place de la muleta
AIS5367291 Tauromachie : un torero se prepare a tuer en utilisant un chapeau a la place de la muleta. Dessin a la sanguine de Francisco de Goya y Lucientes (1746-1828). 1815-1816. Madrid

Saint Francois (Francis) Borgia (1510-1578) au chevet d un impenitent mourant
AIS5367331 Saint Francois (Francis) Borgia (1510-1578) au chevet d un impenitent mourant. Dessin 1788, de Francisco de Goya y Lucientes (1746-1828)

Self Portrait, c. 1796 ( brush and ink on paper)
7207382 Self Portrait, c.1796 ( brush and ink on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 15x9.1 cm; Metropolitan Museum of Art, New York, USA

Winter Scene, c. 1786. Creator: Francisco Goya
Winter Scene, c. 1786

Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco Goya
Portrait of General Jose Manuel Romero, c. 1810

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

Portrait of Isidoro Maiquez, c. 1807. Creator: Francisco Goya
Portrait of Isidoro Maiquez, c. 1807

Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya
Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806

Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806. Creator: Francisco Goya
Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806

Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco Goya
Friar Pedro Wrests the Gun from El Maragato, c. 1806

Boy on a Ram, 1786 / 87. Creator: Francisco Goya
Boy on a Ram, 1786/87

Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco Goya
Friar Pedro Binds El Maragato with a Rope, c. 1806

La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash)
990038 La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info.: La Bouillie)

Do those who escape work end up like this?, (black lead, brush and black and grey wash)
989993 Do those who escape work end up like this?, (black lead, brush and black and grey wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info)

Those specks of dust, Plate 23 from "Los Caprichos", 1799 (etching with hand colouring on laid paper)
996092 Those specks of dust, Plate 23 from " Los Caprichos", 1799 (etching with hand colouring on laid paper) by Goya y Lucientes

Merry folly (Disparate alegre), Plate 12 from "Los Proverbios", c
996082 Merry folly (Disparate alegre), Plate 12 from " Los Proverbios", c.1819-24 (etching, aquatint, lavis, burnisher, drypoint & burin on paper) by Goya y Lucientes

The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint)
3036385 The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: The Sleep of Reason Produces Monsters)

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya
Senora Sabasa Garcia, c. 1806/1811

Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya
Charles IV of Spain as Huntsman, c. 1799/1800

BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya
Bartolome Sureda y Miserol, c. 1803/1804

Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya
Young Lady Wearing a Mantilla and Basquina, c. 1800/1805

Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Victor Guye, 1810. Creator: Francisco Goya
Victor Guye, 1810

Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya
Therese Louise de Sureda, c. 1803/1804

Don Antonio Noriega, 1801. Creator: Francisco Goya
Don Antonio Noriega, 1801

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Francisco José de Goya y Lucientes, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's mastery in capturing the human form with sensuality and realism. In contrast to this sensual masterpiece, Goya also painted a portrait of Field Marshal Arthur Wellesley, known as the 1st Duke of Wellington. Completed in 1814, this portrait exemplifies Goya's ability to capture not only physical likeness but also the personality and character of his subjects. Goya's artistic prowess extended beyond traditional portraiture and into more imaginative realms. His work "Ridiculous Dream" from 1819-1823 displays his unique ability to blend fantasy with social commentary. Through dreamlike imagery, he critiques societal absurdities and challenges conventional norms. Another notable series by Goya is "Los Caprichos, " which includes Plate 80 titled "It is time. " Created in 1799, this print reflects Goya's satirical approach towards society's vices and follies. Glimpses into everyday life can be found in works like "Boys Playing at Soldiers, " an oil painting dating back to c. 1775-99. Here we see a glimpse into childhood innocence amidst tumultuous times. Continuing with Los Caprichos series, Plate 60 titled "Trials" offers a biting critique on justice systems through darkly humorous imagery that highlights their flaws. Plate 25 from Los Caprichos titled "If he broke the pot" further explores human folly through its depiction of foolish actions leading to consequences. One cannot discuss Francisco Goya without mentioning one of his most iconic pieces - La Maja Desnuda (The Naked Maja).