Francisco José De Goya Y Lucientes Collection (#2)

Night Scene from the Inquisition, c. 1810 (oil on wood)
7305498 Night Scene from the Inquisition, c.1810 (oil on wood) by Goya y Lucientes, Francisco Jose de (1746-1828); 30.1x40 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Goya (1746-1828))

Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)
7305247 Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Self-portrait with glasses, around 1800 (oil on canvas)
7305246 Self-portrait with glasses, around 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Family of spanish king Carlos IV, detail, 1801 (painting)
1760508 Family of spanish king Carlos IV, detail, 1801 (painting) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Family of spanish king Carlos IV)

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)
IND82116 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.9 cm; Private Collection; Index Fototeca

Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)
IND82115 Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.7 cm; Private Collection; Index Fototeca

Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)
IND82104 Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)
IND81925 They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x35.7 cm; Private Collection; Index Fototeca

The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls
IND81917 The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls, plate 17 of The Art of Bullfighting, pub

The very skilful student of Falces (b. 1709) wrapped in his cape, tricks the bull with the play of his body
IND81914 The very skilful student of Falces (b.1709) wrapped in his cape, tricks the bull with the play of his body, plate 14 of The Art of Bullfighting, pub

The Bullfight
IND36757 The Bullfight by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid, Spain; Index Fototeca

193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)
IND82118 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.4x35.8 cm; Private Collection; Index Fototeca

193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)
IND82117 193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)
IND82114 Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.7 cm; Private Collection; Index Fototeca

The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid
IND81924 The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid, plate 24 of The Art of Bullfighting, pub

Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)
LRI4606740 Destres of the war: Vaines complaints (preparatory drawing, 1810-1820) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid
IND81910 Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid, plate 10 of The Art of Bullfighting, pub

The Tyrant: Portrait of the Actress Rosario Fernandez
IND54189 The Tyrant: Portrait of the Actress Rosario Fernandez by Goya y Lucientes, Francisco Jose de (1746-1828); 2, 06 x 1, 30 cm; Real Academia de Bellas Artes de San Fernando, Madrid

The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun
JLJ4974507 The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun

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Francisco José de Goya y Lucientes, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's mastery in capturing the human form with sensuality and realism. In contrast to this sensual masterpiece, Goya also painted a portrait of Field Marshal Arthur Wellesley, known as the 1st Duke of Wellington. Completed in 1814, this portrait exemplifies Goya's ability to capture not only physical likeness but also the personality and character of his subjects. Goya's artistic prowess extended beyond traditional portraiture and into more imaginative realms. His work "Ridiculous Dream" from 1819-1823 displays his unique ability to blend fantasy with social commentary. Through dreamlike imagery, he critiques societal absurdities and challenges conventional norms. Another notable series by Goya is "Los Caprichos, " which includes Plate 80 titled "It is time. " Created in 1799, this print reflects Goya's satirical approach towards society's vices and follies. Glimpses into everyday life can be found in works like "Boys Playing at Soldiers, " an oil painting dating back to c. 1775-99. Here we see a glimpse into childhood innocence amidst tumultuous times. Continuing with Los Caprichos series, Plate 60 titled "Trials" offers a biting critique on justice systems through darkly humorous imagery that highlights their flaws. Plate 25 from Los Caprichos titled "If he broke the pot" further explores human folly through its depiction of foolish actions leading to consequences. One cannot discuss Francisco Goya without mentioning one of his most iconic pieces - La Maja Desnuda (The Naked Maja).