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Francisco José De Goya Y Lucientes Collection (#7)

Francisco José de Goya y Lucientes, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082148 Blasts of wind, plate 48 of Los caprichos, 1799 (etching)

193-0082148 Blasts of wind, plate 48 of Los caprichos, 1799 (etching)
IND81667 193-0082148 Blasts of wind, plate 48 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.8x15.3 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: The men in sacks, plate 8 of Proverbs, 1819-23, pub. 1864 (etching)

The men in sacks, plate 8 of Proverbs, 1819-23, pub. 1864 (etching)
IND82108 The men in sacks, plate 8 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.8x35.9 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082124 Nothing could be done about it, plate 24 of Los caprichos, pub. 1799 (etching)

193-0082124 Nothing could be done about it, plate 24 of Los caprichos, pub. 1799 (etching)
IND81643 193-0082124 Nothing could be done about it, plate 24 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082175 Can t anyone untie us?, plate 75 of Los caprichos, 1799 (etching)

193-0082175 Can t anyone untie us?, plate 75 of Los caprichos, 1799 (etching)
IND81694 193-0082175 Can t anyone untie us?, plate 75 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

Background imageFrancisco José De Goya Y Lucientes Collection: Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching)

Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching)
IND81653 Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x13.2 cm; Private Collection; (add.info.: Dream of lies and inconstancy)

Background imageFrancisco José De Goya Y Lucientes Collection: A Moor caught by the bull in the ring, plate 8 of The Art of Bullfighting, pub. 1816 (etching)

A Moor caught by the bull in the ring, plate 8 of The Art of Bullfighting, pub. 1816 (etching)
IND81908 A Moor caught by the bull in the ring, plate 8 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082157 The filiation, plate 57 of Los caprichos, 1799 (etching)

193-0082157 The filiation, plate 57 of Los caprichos, 1799 (etching)
IND81676 193-0082157 The filiation, plate 57 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021)

Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021)
IND81631 Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082169 Blow, plate 69 of Los caprichos, 1799 (etching)

193-0082169 Blow, plate 69 of Los caprichos, 1799 (etching)
IND81688 193-0082169 Blow, plate 69 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.4x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching)

193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching)
IND81678 193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; (add.info)

Background imageFrancisco José De Goya Y Lucientes Collection: Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching)

Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching)
IND82110 Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25.3x35.9 cm; Private Collection; (add.info)

Background imageFrancisco José De Goya Y Lucientes Collection: Ridiculous dream, plate 3 of Proverbs, 1819-23, pub. 1864 (etching)

Ridiculous dream, plate 3 of Proverbs, 1819-23, pub. 1864 (etching)
IND82103 Ridiculous dream, plate 3 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.8 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching)

193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching)
IND81669 193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.7x15.1 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching)

193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching)
IND81644 193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.9x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching)

193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching)
IND81670 193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.4x14.9 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching)

Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching)
IND82107 Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in

Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801
IND81921 Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801, plate 21 of The Art of Bullfighting, pub

Background imageFrancisco José De Goya Y Lucientes Collection: Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching)

Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching)
IND81622 Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.4 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: Another madness of his (Martincho, probably Antonio Ebassum) in the same ring

Another madness of his (Martincho, probably Antonio Ebassum) in the same ring, plate 19 of The Art of Bullfighting
IND81919 Another madness of his (Martincho, probably Antonio Ebassum) in the same ring, plate 19 of The Art of Bullfighting, 1815, pub

Background imageFrancisco José De Goya Y Lucientes Collection: To rise and to fall, plate 56 of Los caprichos, 1799 (etching)

To rise and to fall, plate 56 of Los caprichos, 1799 (etching)
IND81675 To rise and to fall, plate 56 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister

193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister
IND81657 193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister, Manuel de Godoy (1767-1851) for King Charles IV of Spain (1748-1819), plate 38 of Los caprichos

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers

193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers
IND81642 193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers, plate 23 of Los caprichos, pub

Background imageFrancisco José De Goya Y Lucientes Collection: Swallow it, dog, plate 58 of Los caprichos, 1799 (etching)

Swallow it, dog, plate 58 of Los caprichos, 1799 (etching)
IND81677 Swallow it, dog, plate 58 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)

193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)
IND81668 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)

193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)
IND81647 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.9 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: The agility and audacity of Juanito Apinani in the ring at Madrid

The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub
IND81920 The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco José De Goya Y Lucientes Collection: Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)

Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)
IND82102 Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.5x35.7 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching)

193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching)
IND81661 193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching)

193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching)
IND81659 193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.6x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching)

193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching)
IND81691 193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching)

193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching)
IND81674 193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)

193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)
IND81656 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; (add.info)

Background imageFrancisco José De Goya Y Lucientes Collection: A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching)

A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching)
IND82113 A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Background imageFrancisco José De Goya Y Lucientes Collection: The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint)

The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint)
IND81662 The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint) by Goya y Lucientes

Background imageFrancisco José De Goya Y Lucientes Collection: The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse)

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas)
897495 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco José De Goya Y Lucientes Collection: The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right)

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas)
900649 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco José De Goya Y Lucientes Collection: The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger

The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas)
XIR194741 The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco José De Goya Y Lucientes Collection: Bullfighting, 1815-16 (red chalk on paper)

Bullfighting, 1815-16 (red chalk on paper)
XKH179017 Bullfighting, 1815-16 (red chalk on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.3x29.5 cm; Hamburger Kunsthalle, Hamburg, Germany

Background imageFrancisco José De Goya Y Lucientes Collection: Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching)

Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631)
CHT175021 Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

Background imageFrancisco José De Goya Y Lucientes Collection: The Bullfight, c. 1825 (oil on canvas)

The Bullfight, c. 1825 (oil on canvas)
SCP36793 The Bullfight, c.1825 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 38x46 cm; Prado, Madrid, Spain

Background imageFrancisco José De Goya Y Lucientes Collection: Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)

Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)
CH438388 Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 23.4x14.3 cm; Private Collection; (add.info)

Background imageFrancisco José De Goya Y Lucientes Collection: Francisco Jose de Goya y Lucientes, from Living Biographies of Great Painters

Francisco Jose de Goya y Lucientes, from Living Biographies of Great Painters
3960943 Francisco Jose de Goya y Lucientes, from Living Biographies of Great Painters by Ross, Gordon (1872-1946); (add.info.: Francisco Jose de Goya y Lucientes, 1746-1828)

Background imageFrancisco José De Goya Y Lucientes Collection: 'Le buveur'Francisco de Goya y Lucientes (1746-1828). 1777. Madrid. Musee du Prado

"Le buveur"Francisco de Goya y Lucientes (1746-1828). 1777. Madrid. Musee du Prado
AIS5367294 " Le buveur" Francisco de Goya y Lucientes (1746-1828). 1777. Madrid. Musee du Prado. by Goya y Lucientes, Francisco Jose de (1746-1828); © Iberfoto

Background imageFrancisco José De Goya Y Lucientes Collection: 'Les joueurs de cartes'Peinture de Francisco de Goya y Lucientes (1746-1828)

"Les joueurs de cartes"Peinture de Francisco de Goya y Lucientes (1746-1828)
AIS5367311 " Les joueurs de cartes" Peinture de Francisco de Goya y Lucientes (1746-1828) pour une tapisserie fabriquee a la manufacture royale de tapisserie pour la salle a manger du



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Francisco José de Goya y Lucientes, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's mastery in capturing the human form with sensuality and realism. In contrast to this sensual masterpiece, Goya also painted a portrait of Field Marshal Arthur Wellesley, known as the 1st Duke of Wellington. Completed in 1814, this portrait exemplifies Goya's ability to capture not only physical likeness but also the personality and character of his subjects. Goya's artistic prowess extended beyond traditional portraiture and into more imaginative realms. His work "Ridiculous Dream" from 1819-1823 displays his unique ability to blend fantasy with social commentary. Through dreamlike imagery, he critiques societal absurdities and challenges conventional norms. Another notable series by Goya is "Los Caprichos, " which includes Plate 80 titled "It is time. " Created in 1799, this print reflects Goya's satirical approach towards society's vices and follies. Glimpses into everyday life can be found in works like "Boys Playing at Soldiers, " an oil painting dating back to c. 1775-99. Here we see a glimpse into childhood innocence amidst tumultuous times. Continuing with Los Caprichos series, Plate 60 titled "Trials" offers a biting critique on justice systems through darkly humorous imagery that highlights their flaws. Plate 25 from Los Caprichos titled "If he broke the pot" further explores human folly through its depiction of foolish actions leading to consequences. One cannot discuss Francisco Goya without mentioning one of his most iconic pieces - La Maja Desnuda (The Naked Maja).