Francisco Goya Collection (#6)

Narcisa Baranana de Goicoechea. Creator: Francisco Goya
Narcisa Baranana de Goicoechea

Maria Luisa of Parma (1751-1819), Queen of Spain. Creator: Unknown
Maria Luisa of Parma (1751-1819), Queen of Spain

Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)
Don Bernardo de Iriarte (1735-1814)

Bullfight in a Divided Ring. Creator: Francisco Goya
Bullfight in a Divided Ring

A City on a Rock. Creator: Unknown
A City on a Rock

Ferdinand VII (1784-1833), When Prince of Asturias. Creator: Francisco Goya
Ferdinand VII (1784-1833), When Prince of Asturias

Josefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804. Creator
Josefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804

Manuel Osorio Manrique de Zuniga (1784-1792), 1787-88. Creator: Francisco Goya
Manuel Osorio Manrique de Zuniga (1784-1792), 1787-88

Jose Costa y Bonells (died 1870), Called Pepito, ca. 1810. Creator: Francisco Goya
Jose Costa y Bonells (died 1870), Called Pepito, ca. 1810

Tiburcio Perez y Cuervo (1785 / 86-1841), the Architect, 1820. Creator: Francisco Goya
Tiburcio Perez y Cuervo (1785/86-1841), the Architect, 1820

Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco Goya
Witch riding a goat, late 18th-early 19th century, (1943). Drawing in the Prado Museum, Madrid. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Dona Isabel Cobos De Porcel, c1805, (1946). Creator: Francisco Goya
Dona Isabel Cobos De Porcel, c1805, (1946). Portrait of Dona Isabel de Porcel (born c1780), wearing the black lace mantilla of a maja. Painting in the National Gallery in London

The Picnic, 1785-1790, (1938). Artist: Francisco Goya
The Picnic, 1785-1790, (1938). Painting in the National Gallery, London. From Spanish Painting, by E Harris. [John Gifford Limited, London, 1938]

Fernando Guillemardet, c1798, (1938). Artist: Francisco Goya
Fernando Guillemardet, c1798, (1938). Portrait of Fernando Guillemardet, the French ambassador to Spain between 1798 and 1800. Paingting in the Louvre, Paris, France

Juan Agustin Cean Bermudez (1749-1829), Spanish architect and art critic

La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya
La Maja Desnuda, (The Naked Maja), c.1797-1800, (c1934). Possibly commissioned by Manuel de Godoy, to hang in his private collection An image of Venus in the nude

Linda Maestra! or Pretty Teacher! A young witch teaches an old man to fly. After the work by Francisco Goya, Capricho number 68. Goya created the 80 prints of Los Caprichos in 1797-1798

El Sueno De La Razon Produce Monstruos - The Dream of Reason Produces Monsters. By Francisco de Goya, Number 43 from his series Los Caprichos

Francisco Goya Poetry Poets Skulls painting oil
Francisco Goya, Poetry and Poets, painting, oil on canvas, Height, 298 cm (117.3 inches), Width, 326 cm (10.6 ft)

Francisco Goya Truth Time History painting allegory
Francisco Goya, Truth, Time and History, painting, allegory, Oil on canvas, Height, 294 cm (115.7 inches), Width, 244 cm (96 inches)

Francisco Goya Ventura Rodriguez Architect Ventura Rodriguez
Francisco Goya, Ventura Rodriguez, The Architect Ventura Rodriguez, Architect Ventura Rodriguez (1717-1785), painting, 1784, Oil on canvas, Height, 107 cm (42.1 inches), Width, 81 cm (31.8 inches)

Plate 8 from the Tauromaquia : A moor caught by the bull in the ring, ca. 1816

Plate 27 from Los Caprichos : Which of them is the more overcome? (Quien mas rendido
Plate 27 from Los Caprichos :Which of them is the more overcome? (Quien mas rendido?), 1799

Barbarous Entertainment (Barbara dibersion), 1800-1804. Creator: Francisco Goya
Barbarous Entertainment (Barbara dibersion), 1800-1804

Mlle. Victorine in the Costume of an "Espada", 1862. Creator: Edouard Manet
Mlle. Victorine in the Costume of an " Espada", 1862. In the manner of Goya

The injured Mason, 1786-1787 (1939). Artist: Francisco Goya
The injured Mason, 1786-1787 (1939). Two workers carry another, who has been wounded in a work accident. The scaffolding in the background reveals the underlying subject as workersś safety

La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya
La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Rococo cartoon produced by Spanish artist Francisco de Goya for tapestries at the Royal Palace of El Pardo

El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya
El Pelele, (The Straw Manikin), 1791-1792, (c1934). Four young women laugh and play, blanket-tossing a doll or manikin. The blanket-tossing of a doll is used here by Goya as a clear allegory of

Do not shout you idiot, 1799. Artist: Francisco Goya
Do not shout you idiot, 1799. Published in Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

The Shamefaced One, 1799. Artist: Francisco Goya
The Shamefaced One, 1799. Plate 54 of Los Caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Self-Portrait, 1799. Artist: Goya, Francisco, de (1746-1828)
Self-Portrait, 1799. Found in the collection of the Museo Lazaro Galdiano, Madrid

The Marquesa de Pontejos, c1786. Artist: Francisco Goya
The Marquesa de Pontejos, c1786. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

A Procession of Flagellants, 1812-1819 (1939). Artist: Francisco Goya
A Procession of Flagellants, 1812-1819 (1939). A procession of Roman Catholic men dressed in white, wearing pointed hats and whipping their bared backs in penitence

Powder production in the Sierra de Tardienta, 1814 (1939). Artist: Francisco Goya
Powder production in the Sierra de Tardienta, 1814 (1939). From Les Chefs-D Ouevre Du Musee Du Prado. [Les Editions Holbein, Switzerland, 1939]

General Jose de Urrutia, c1798 (1939). Artist: Francisco Goya
General Jose de Urrutia, c1798 (1939). Jose Ramon de Urrutia y de las Casas (1739-1803), Spanish captain general and military engineer

The Painter Francisco Bayeu, 1795 (1939). Artist: Francisco Goya
The Painter Francisco Bayeu, 1795 (1939). Francisco Bayeu y Subias (1734-1795), Spanish Neoclassic painter. The painting is held at the Museo del Prado, Madrid

The San Isidro Meadow, 1788 (1939). Artist: Francisco Goya
The San Isidro Meadow, 1788 (1939). The sensations of life and hustle and bustle of crowds sitting in a meadow with landscape opening onto the Manzanares River with panoramic view of Madrid

The Military Man and the Lady, 1779 (1939). Artist: Francisco Goya
The Military Man and the Lady, 1779 (1939). An overly adorned lady accompanied by her suitor, glances up at a couple leaning on a wall. The painting is held at the Museo del Prado, Madrid

A Fair in Madrid, 1779 (1939). Artist: Francisco Goya
A Fair in Madrid, 1779 (1939). A seller displays vessels, furniture, used clothing and paintings in the Plaza de la Cebada, Madrid with the dome of San Francisco el Grande in distance

Self-Portrait, 1815 (1939). Artist: Francisco Goya
Self-Portrait, 1815 (1939). Spanish romantic painter and printmaker, considered the most important Spanish artist of late 18th and early 19th centuries as a commentator and chronicler of his era

Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Artist: Vicente Lopez y Portana
Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Francisco de Goya y Lucientes (1746-1828 ) was a Spanish painter and engraver

La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). Artist: Francisco Goya
La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). First owned by Prime Minister Manuel de Godoy, who was known as a womaniser

La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco Goya
La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Dressed in yellow clothes symbolising autumn, a young man offers a cluster of black grapes to a lady

El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco Goya
El Cacharrero, (The Crockery), 1778-1778, (c1934). A complex scene of city and street life. A Valencian crockery seller distributes his wares on the street

La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Artist: Francisco Goya
La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Portrait of the family of King Carlos IV (1748-1819)

El Medico, 1779. Artist: Francisco Goya
El Medico, 1779. Painting held in the National Galleries Scotland. From The Studio Volume 90. [London Offices of the Studio, London, 1925]

Witch hunt: witches, c1799 (1956). A print from Ideas, a volume about the origin and early history of many things, common and less common, essential and inessential, by Readers Union

Portrait of the Actress Antonia Zarate, c1810. Artist: Francisco Goya
Portrait of the Actress Antonia Zarate, c1810. Goya, Francisco, de (1746-1828). Found in the collection of the State Hermitage, St. Petersburg

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Francisco Goya, a renowned Spanish artist, left an indelible mark on the art world with his diverse and captivating works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's ability to capture sensuality and beauty in a bold manner. In contrast, Goya also demonstrated his talent for portraiture with his painting of Field Marshal Arthur Wellesley, the 1st Duke of Wellington. Completed in 1814, this portrait exudes power and authority, showcasing Goya's skill in capturing the essence of his subjects. Goya's creativity knew no bounds as he delved into surrealism with "Ridiculous Dream" from 1819-1823. This artwork reflects the artist's exploration of dreams and subconscious thoughts through vivid imagery that challenges conventional reality. However, it was not only through paintings that Goya expressed himself; he also used printmaking to convey powerful messages. Plate 80 from Los Caprichos series titled "It is time" (Ya es hora) depicts societal criticism by highlighting the need for change during turbulent times in Spain. Similarly, Plate 60 from Los Caprichos called "Trials" (Ensayos) portrays human folly and ignorance through satirical illustrations that provoke contemplation about society's flaws. Plate 25 from Los Caprichos titled "If he broke the pot" (Si quebro el Cantaro) presents a cautionary tale about consequences resulting from one's actions or choices. Goya's fascination with female figures is evident in artworks such as "La Maja Desnuda" (The Naked Maja), painted between c. 1797-1800. This controversial masterpiece celebrates feminine beauty while challenging societal norms surrounding nudity at that time.