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Francisco Goya Collection (#5)

Francisco Goya, a renowned Spanish artist, left an indelible mark on the art world with his diverse and captivating works

Background imageFrancisco Goya Collection: Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes. ), 1799

Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes. ), 1799
Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes.), 1799

Background imageFrancisco Goya Collection: Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Background imageFrancisco Goya Collection: Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799

Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799
Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo.), 1799

Background imageFrancisco Goya Collection: Plate 37 from Los Caprichos : Might not the pupil know more

Plate 37 from Los Caprichos : Might not the pupil know more? (Si Sabra mas el discipulo?), 1799

Background imageFrancisco Goya Collection: Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799

Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799
Plate 33 from Los Caprichos :To the Count Palatine (Al Conde Palatino.), 1799

Background imageFrancisco Goya Collection: Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Background imageFrancisco Goya Collection: Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Background imageFrancisco Goya Collection: Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Background imageFrancisco Goya Collection: Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

Background imageFrancisco Goya Collection: Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799

Background imageFrancisco Goya Collection: Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98

Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98
Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98

Background imageFrancisco Goya Collection: Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya

Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya
Plate 9 from Los Caprichos : Tantalus (Tantalo.), 1799

Background imageFrancisco Goya Collection: Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799

Background imageFrancisco Goya Collection: Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Background imageFrancisco Goya Collection: Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799

Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799

Background imageFrancisco Goya Collection: Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco

Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor), 1799

Background imageFrancisco Goya Collection: Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco Goya

Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco Goya
Old woman on a swing (Vieja columpiandose).n.d

Background imageFrancisco Goya Collection: Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Background imageFrancisco Goya Collection: Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Background imageFrancisco Goya Collection: Plate 2 from Los Caprichos : They say yes and give their hand to the first comer

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

Background imageFrancisco Goya Collection: The cloaked man (El Embozado). Creator: Unknown

The cloaked man (El Embozado). Creator: Unknown
The cloaked man (El Embozado)

Background imageFrancisco Goya Collection: Isabel of Bourbon, Queen of Spain and wife of Philip IV (D

Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de Espana, muger de Felipe Quarto), 1778

Background imageFrancisco Goya Collection: Balthasar Carlos, Prince of Spain and Son of Philip IV (D

Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), from Etchings after Velazquez, 1778

Background imageFrancisco Goya Collection: The custody is as barbarous as the crime (Tan barbara la seguridad como el delito)

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito), ca. 1815

Background imageFrancisco Goya Collection: Moenippus (Menipo Filosofo), 1778. Creator: Francisco Goya

Moenippus (Menipo Filosofo), 1778. Creator: Francisco Goya
Moenippus (Menipo Filosofo), 1778

Background imageFrancisco Goya Collection: Aesop (Aesopus), from Etchings after Velazquez, 1778. Creator: Francisco Goya

Aesop (Aesopus), from Etchings after Velazquez, 1778. Creator: Francisco Goya
Aesop (Aesopus), from Etchings after Velazquez, 1778

Background imageFrancisco Goya Collection: A dwarf (un enano) known as El Primo after Diego Velazquez, 1778

A dwarf (un enano) known as El Primo after Diego Velazquez, 1778

Background imageFrancisco Goya Collection: A Maja standing against a dark background (Maja). Creator: Francisco Goya

A Maja standing against a dark background (Maja). Creator: Francisco Goya
A Maja standing against a dark background (Maja)

Background imageFrancisco Goya Collection: Sebastian Martinez y Perez (1747-1800), 1792. Creator: Francisco Goya

Sebastian Martinez y Perez (1747-1800), 1792. Creator: Francisco Goya
Sebastian Martinez y Perez (1747-1800), 1792

Background imageFrancisco Goya Collection: Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804. Creator: Francisco Goya

Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804. Creator: Francisco Goya
Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804

Background imageFrancisco Goya Collection: Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88. Creator: Francisco Goya

Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88. Creator: Francisco Goya
Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88

Background imageFrancisco Goya Collection: Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883). Creator

Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883). Creator
Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883)

Background imageFrancisco Goya Collection: Narcisa Baranana de Goicoechea. Creator: Francisco Goya

Narcisa Baranana de Goicoechea. Creator: Francisco Goya
Narcisa Baranana de Goicoechea

Background imageFrancisco Goya Collection: Maria Luisa of Parma (1751-1819), Queen of Spain. Creator: Unknown

Maria Luisa of Parma (1751-1819), Queen of Spain. Creator: Unknown
Maria Luisa of Parma (1751-1819), Queen of Spain

Background imageFrancisco Goya Collection: Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)

Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)
Don Bernardo de Iriarte (1735-1814)

Background imageFrancisco Goya Collection: Bullfight in a Divided Ring. Creator: Francisco Goya

Bullfight in a Divided Ring. Creator: Francisco Goya
Bullfight in a Divided Ring

Background imageFrancisco Goya Collection: A City on a Rock. Creator: Unknown

A City on a Rock. Creator: Unknown
A City on a Rock

Background imageFrancisco Goya Collection: Ferdinand VII (1784-1833), When Prince of Asturias. Creator: Francisco Goya

Ferdinand VII (1784-1833), When Prince of Asturias. Creator: Francisco Goya
Ferdinand VII (1784-1833), When Prince of Asturias

Background imageFrancisco Goya Collection: Josefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804. Creator

Josefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804. Creator
Josefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804

Background imageFrancisco Goya Collection: Manuel Osorio Manrique de Zuniga (1784-1792), 1787-88. Creator: Francisco Goya

Manuel Osorio Manrique de Zuniga (1784-1792), 1787-88. Creator: Francisco Goya
Manuel Osorio Manrique de Zuniga (1784-1792), 1787-88

Background imageFrancisco Goya Collection: Jose Costa y Bonells (died 1870), Called Pepito, ca. 1810. Creator: Francisco Goya

Jose Costa y Bonells (died 1870), Called Pepito, ca. 1810. Creator: Francisco Goya
Jose Costa y Bonells (died 1870), Called Pepito, ca. 1810

Background imageFrancisco Goya Collection: Tiburcio Perez y Cuervo (1785 / 86-1841), the Architect, 1820. Creator: Francisco Goya

Tiburcio Perez y Cuervo (1785 / 86-1841), the Architect, 1820. Creator: Francisco Goya
Tiburcio Perez y Cuervo (1785/86-1841), the Architect, 1820

Background imageFrancisco Goya Collection: Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco Goya

Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco Goya
Witch riding a goat, late 18th-early 19th century, (1943). Drawing in the Prado Museum, Madrid. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Background imageFrancisco Goya Collection: Dona Isabel Cobos De Porcel, c1805, (1946). Creator: Francisco Goya

Dona Isabel Cobos De Porcel, c1805, (1946). Creator: Francisco Goya
Dona Isabel Cobos De Porcel, c1805, (1946). Portrait of Dona Isabel de Porcel (born c1780), wearing the black lace mantilla of a maja. Painting in the National Gallery in London

Background imageFrancisco Goya Collection: The Picnic, 1785-1790, (1938). Artist: Francisco Goya

The Picnic, 1785-1790, (1938). Artist: Francisco Goya
The Picnic, 1785-1790, (1938). Painting in the National Gallery, London. From Spanish Painting, by E Harris. [John Gifford Limited, London, 1938]

Background imageFrancisco Goya Collection: Fernando Guillemardet, c1798, (1938). Artist: Francisco Goya

Fernando Guillemardet, c1798, (1938). Artist: Francisco Goya
Fernando Guillemardet, c1798, (1938). Portrait of Fernando Guillemardet, the French ambassador to Spain between 1798 and 1800. Paingting in the Louvre, Paris, France

Background imageFrancisco Goya Collection: Juan Agustin Cean Bermudez (1749-1829), Spanish architect and art critic

Juan Agustin Cean Bermudez (1749-1829), Spanish architect and art critic

Background imageFrancisco Goya Collection: La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya

La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya
La Maja Desnuda, (The Naked Maja), c.1797-1800, (c1934). Possibly commissioned by Manuel de Godoy, to hang in his private collection An image of Venus in the nude



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Francisco Goya, a renowned Spanish artist, left an indelible mark on the art world with his diverse and captivating works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's ability to capture sensuality and beauty in a bold manner. In contrast, Goya also demonstrated his talent for portraiture with his painting of Field Marshal Arthur Wellesley, the 1st Duke of Wellington. Completed in 1814, this portrait exudes power and authority, showcasing Goya's skill in capturing the essence of his subjects. Goya's creativity knew no bounds as he delved into surrealism with "Ridiculous Dream" from 1819-1823. This artwork reflects the artist's exploration of dreams and subconscious thoughts through vivid imagery that challenges conventional reality. However, it was not only through paintings that Goya expressed himself; he also used printmaking to convey powerful messages. Plate 80 from Los Caprichos series titled "It is time" (Ya es hora) depicts societal criticism by highlighting the need for change during turbulent times in Spain. Similarly, Plate 60 from Los Caprichos called "Trials" (Ensayos) portrays human folly and ignorance through satirical illustrations that provoke contemplation about society's flaws. Plate 25 from Los Caprichos titled "If he broke the pot" (Si quebro el Cantaro) presents a cautionary tale about consequences resulting from one's actions or choices. Goya's fascination with female figures is evident in artworks such as "La Maja Desnuda" (The Naked Maja), painted between c. 1797-1800. This controversial masterpiece celebrates feminine beauty while challenging societal norms surrounding nudity at that time.