Francisco De Goya Collection (#7)

193-0082171 When day breaks we will be off, plate 71 of Los caprichos, 1799 (etching)
IND81690 193-0082171 When day breaks we will be off, plate 71 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.8x15.2 cm; Private Collection; Index Fototeca

193-0082163 Look how solemn they are!, plate 63 of Los caprichos, 1799 (etching)
IND81682 193-0082163 Look how solemn they are!, plate 63 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.5x16.3 cm; Private Collection; Index Fototeca

193-0082162 Who would have thought it!, plate 62 of Los caprichos, 1799 (etching)
IND81681 193-0082162 Who would have thought it!, plate 62 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.9x15.3 cm; Private Collection; Index Fototeca

193-0082148 Blasts of wind, plate 48 of Los caprichos, 1799 (etching)
IND81667 193-0082148 Blasts of wind, plate 48 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.8x15.3 cm; Private Collection; Index Fototeca

The men in sacks, plate 8 of Proverbs, 1819-23, pub. 1864 (etching)
IND82108 The men in sacks, plate 8 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.8x35.9 cm; Private Collection; Index Fototeca

193-0082124 Nothing could be done about it, plate 24 of Los caprichos, pub. 1799 (etching)
IND81643 193-0082124 Nothing could be done about it, plate 24 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

193-0082175 Can t anyone untie us?, plate 75 of Los caprichos, 1799 (etching)
IND81694 193-0082175 Can t anyone untie us?, plate 75 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching)
IND81653 Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x13.2 cm; Private Collection; (add.info.: Dream of lies and inconstancy)

A Moor caught by the bull in the ring, plate 8 of The Art of Bullfighting, pub. 1816 (etching)
IND81908 A Moor caught by the bull in the ring, plate 8 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

193-0082157 The filiation, plate 57 of Los caprichos, 1799 (etching)
IND81676 193-0082157 The filiation, plate 57 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021)
IND81631 Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

193-0082169 Blow, plate 69 of Los caprichos, 1799 (etching)
IND81688 193-0082169 Blow, plate 69 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.4x15.2 cm; Private Collection; Index Fototeca

193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching)
IND81678 193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; (add.info)

Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching)
IND82110 Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25.3x35.9 cm; Private Collection; (add.info)

Ridiculous dream, plate 3 of Proverbs, 1819-23, pub. 1864 (etching)
IND82103 Ridiculous dream, plate 3 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.8 cm; Private Collection; Index Fototeca

193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching)
IND81669 193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.7x15.1 cm; Private Collection; Index Fototeca

193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching)
IND81644 193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.9x15.2 cm; Private Collection; Index Fototeca

193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching)
IND81670 193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.4x14.9 cm; Private Collection; Index Fototeca

Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching)
IND82107 Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801
IND81921 Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801, plate 21 of The Art of Bullfighting, pub

Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching)
IND81622 Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.4 cm; Private Collection; Index Fototeca

Another madness of his (Martincho, probably Antonio Ebassum) in the same ring, plate 19 of The Art of Bullfighting
IND81919 Another madness of his (Martincho, probably Antonio Ebassum) in the same ring, plate 19 of The Art of Bullfighting, 1815, pub

To rise and to fall, plate 56 of Los caprichos, 1799 (etching)
IND81675 To rise and to fall, plate 56 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister
IND81657 193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister, Manuel de Godoy (1767-1851) for King Charles IV of Spain (1748-1819), plate 38 of Los caprichos

193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers
IND81642 193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers, plate 23 of Los caprichos, pub

Swallow it, dog, plate 58 of Los caprichos, 1799 (etching)
IND81677 Swallow it, dog, plate 58 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)
IND81668 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)
IND81647 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.9 cm; Private Collection; Index Fototeca

The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub
IND81920 The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)
IND82102 Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.5x35.7 cm; Private Collection; Index Fototeca

193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching)
IND81661 193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching)
IND81659 193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.6x15.2 cm; Private Collection; Index Fototeca

193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching)
IND81691 193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching)
IND81674 193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)
IND81656 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; (add.info)

A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching)
IND82113 A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint)
IND81662 The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint) by Goya y Lucientes

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas)
897495 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas)
900649 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas)
XIR194741 The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Bullfighting, 1815-16 (red chalk on paper)
XKH179017 Bullfighting, 1815-16 (red chalk on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.3x29.5 cm; Hamburger Kunsthalle, Hamburg, Germany

Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631)
CHT175021 Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

The Bullfight, c. 1825 (oil on canvas)
SCP36793 The Bullfight, c.1825 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 38x46 cm; Prado, Madrid, Spain

Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)
CH438388 Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 23.4x14.3 cm; Private Collection; (add.info)

All Professionally Made to Order for Quick Shipping

Francisco de Goya, a renowned Spanish artist from the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's ability to capture sensuality and beauty in a bold and unapologetic manner. In contrast to this sensual masterpiece, Goya also demonstrated his talent for portraiture with his painting of Field Marshal Arthur Wellesley, the 1st Duke of Wellington. Painted in 1814, this portrait exudes power and authority as it immortalizes one of history's great military leaders. Goya's artistic prowess extended beyond traditional subjects; he delved into social commentary through pieces like "Little Prisoner" from 1867. This haunting image depicts a young boy held captive, symbolizing the injustices prevalent during that time period. Another thought-provoking work by Goya is "Ridiculous Dream, " painted between 1819-1823. Through surreal imagery and symbolism, he explores the absurdity of human desires and aspirations. Throughout his career, Goya used various mediums to express himself. Plate 80 from Los Caprichos series titled "It is time" reflects his mastery over etching techniques while conveying a powerful message about societal norms. Religion was another recurring theme in Goya's oeuvre; exemplified by works such as "Saint Ambrose" created between 1796-1799. In this piece, he captures the essence of spirituality through meticulous attention to detail. Goya's satirical side shines through in pieces like "Sopla (Blow)" from Los Caprichos series where he humorously critiques societal behavior using biting wit and clever visual metaphors.