Fraud Blocker Skip to main content

Francisco De Goya Collection (#2)

Francisco de Goya, a renowned Spanish artist from the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works

Background imageFrancisco De Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)
CUL4877269 GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm). Plate 80 of " Los Caprichos", etching, burnished aquatint, drypoint and chisel

Background imageFrancisco De Goya Collection: Pretty Teacher. 1793-1799 (aquatint)

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

Background imageFrancisco De Goya Collection: Night Scene from the Inquisition, c. 1810 (oil on wood)

Night Scene from the Inquisition, c. 1810 (oil on wood)
7305498 Night Scene from the Inquisition, c.1810 (oil on wood) by Goya y Lucientes, Francisco Jose de (1746-1828); 30.1x40 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Goya (1746-1828))

Background imageFrancisco De Goya Collection: Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)

Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)
7305247 Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Background imageFrancisco De Goya Collection: Self-portrait with glasses, around 1800 (oil on canvas)

Self-portrait with glasses, around 1800 (oil on canvas)
7305246 Self-portrait with glasses, around 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Background imageFrancisco De Goya Collection: Family of spanish king Carlos IV, detail, 1801 (painting)

Family of spanish king Carlos IV, detail, 1801 (painting)
1760508 Family of spanish king Carlos IV, detail, 1801 (painting) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Family of spanish king Carlos IV)

Background imageFrancisco De Goya Collection: Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink)

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco De Goya Collection: 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)
IND82116 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.9 cm; Private Collection; Index Fototeca

Background imageFrancisco De Goya Collection: Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)

Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)
IND82115 Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.7 cm; Private Collection; Index Fototeca

Background imageFrancisco De Goya Collection: Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)

Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)
IND82104 Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Background imageFrancisco De Goya Collection: They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)

They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)
IND81925 They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x35.7 cm; Private Collection; Index Fototeca

Background imageFrancisco De Goya Collection: The Moors use donkeys as a barrier to defend themselves against the bull

The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls
IND81917 The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls, plate 17 of The Art of Bullfighting, pub

Background imageFrancisco De Goya Collection: The very skilful student of Falces (b. 1709) wrapped in his cape

The very skilful student of Falces (b. 1709) wrapped in his cape, tricks the bull with the play of his body
IND81914 The very skilful student of Falces (b.1709) wrapped in his cape, tricks the bull with the play of his body, plate 14 of The Art of Bullfighting, pub

Background imageFrancisco De Goya Collection: The Bullfight

The Bullfight
IND36757 The Bullfight by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid, Spain; Index Fototeca

Background imageFrancisco De Goya Collection: 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)
IND82118 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.4x35.8 cm; Private Collection; Index Fototeca

Background imageFrancisco De Goya Collection: 193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)
IND82117 193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Background imageFrancisco De Goya Collection: Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)

Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)
IND82114 Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.7 cm; Private Collection; Index Fototeca

Background imageFrancisco De Goya Collection: The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid

The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid
IND81924 The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid, plate 24 of The Art of Bullfighting, pub

Background imageFrancisco De Goya Collection: Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)

Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)
LRI4606740 Destres of the war: Vaines complaints (preparatory drawing, 1810-1820) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco De Goya Collection: Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageFrancisco De Goya Collection: Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58)

Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid
IND81910 Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid, plate 10 of The Art of Bullfighting, pub

Background imageFrancisco De Goya Collection: The Tyrant: Portrait of the Actress Rosario Fernandez

The Tyrant: Portrait of the Actress Rosario Fernandez
IND54189 The Tyrant: Portrait of the Actress Rosario Fernandez by Goya y Lucientes, Francisco Jose de (1746-1828); 2, 06 x 1, 30 cm; Real Academia de Bellas Artes de San Fernando, Madrid



All Professionally Made to Order for Quick Shipping

Francisco de Goya, a renowned Spanish artist from the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's ability to capture sensuality and beauty in a bold and unapologetic manner. In contrast to this sensual masterpiece, Goya also demonstrated his talent for portraiture with his painting of Field Marshal Arthur Wellesley, the 1st Duke of Wellington. Painted in 1814, this portrait exudes power and authority as it immortalizes one of history's great military leaders. Goya's artistic prowess extended beyond traditional subjects; he delved into social commentary through pieces like "Little Prisoner" from 1867. This haunting image depicts a young boy held captive, symbolizing the injustices prevalent during that time period. Another thought-provoking work by Goya is "Ridiculous Dream, " painted between 1819-1823. Through surreal imagery and symbolism, he explores the absurdity of human desires and aspirations. Throughout his career, Goya used various mediums to express himself. Plate 80 from Los Caprichos series titled "It is time" reflects his mastery over etching techniques while conveying a powerful message about societal norms. Religion was another recurring theme in Goya's oeuvre; exemplified by works such as "Saint Ambrose" created between 1796-1799. In this piece, he captures the essence of spirituality through meticulous attention to detail. Goya's satirical side shines through in pieces like "Sopla (Blow)" from Los Caprichos series where he humorously critiques societal behavior using biting wit and clever visual metaphors.