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Portrait of James P. (James Price) Johnson, Albert Nicholas, Johnny...Webster Hall, N.Y. 1947. Creator: William Paul Gottlieb
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Portrait of James P. (James Price) Johnson, Albert Nicholas, Johnny...Webster Hall, N.Y. 1947. Creator: William Paul Gottlieb
Portrait of James P. (James Price) Johnson, Albert Nicholas, Johnny Windhurst, Marty Marsala, Sandy Williams, and Danny Alvin, Webster Hall, New York, N.Y. ca. June 1947
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Media ID 36261257
© Heritage Art/Heritage Images
Alexander Balos Williams Audience Band Bill Gottlieb Clarinet Clarinet Player Clarinetist Clarinettist Concert Concert Hall Ethnicity Father Of The Stride Piano Golden Age Of Jazz Gottlieb William P Gottlieb William Paul James Johnson James P Johnson James Price Johnson Jazz Age Jazz Band Johnson James Price Marsala Marty Marty Marsala Mixed Race Group William P Gottlieb William Paul Gottlieb Wind Instrument Afro American Film Negative Group Portrait Jazz Musician Playing An Instrument
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EDITORS COMMENTS
This photograph, taken by the renowned jazz photographer William Paul Gottlieb in 1947, captures a moment in time at Webster Hall in New York City during the golden age of jazz. The portrait features an eclectic group of musicians, including James P. Johnson, Albert Nicholas, Johnny Windhurst, Marty Marsala, Sandy Williams, and Danny Alvin. James P. Johnson, affectionately known as the "Father of the Stride Piano," is seated at the piano, his fingers poised above the keys, ready to create music. Albert Nicholas, a virtuoso clarinetist, stands to his left, his clarinet slung over his shoulder. To Nicholas' right is Johnny Windhurst, a versatile musician who played both the saxophone and the trumpet. Marty Marsala, a Caucasian musician, can be seen in the background, playing the double bass. The audience, a mix of African American and Caucasian faces, is intently focused on the musicians, lost in the magic of the music being created before them. The photograph captures the essence of the jazz age, a time of cultural fusion and innovation, where music transcended ethnic and racial boundaries. The photograph is a testament to the rich musical heritage of America in the 1940s, a time when jazz was at the forefront of the country's cultural landscape. The image is a conceptual representation of the genre's golden age, a time of creativity, innovation, and diversity that continues to inspire musicians and music lovers around the world.
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