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Northern Quarter (Hokkoku), from the series "Three Amusements of Contemporary... c. 1800. Creator: Kitagawa Utamaro. Northern Quarter (Hokkoku), from the series "Three Amusements of Contemporary... c. 1800. Creator: Kitagawa Utamaro
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Northern Quarter (Hokkoku), from the series "Three Amusements of Contemporary... c. 1800. Creator: Kitagawa Utamaro. Northern Quarter (Hokkoku), from the series "Three Amusements of Contemporary... c. 1800. Creator: Kitagawa Utamaro
Northern Quarter (Hokkoku), from the series "Three Amusements of Contemporary Beauties (Tosei bijin sanyu)", Japan, c. 1800
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Media ID 36215004
© Heritage Art/Heritage Images
Black Hair Kitagawa Utamaro Naga Oban Oban Utamaro Utamaro Kitagawa Color Woodblock Print
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Northern Quarter (Hokkoku)," a captivating woodblock print from the series "Three Amusements of Contemporary Beauties (Tosei bijin sanyu)" by the renowned Japanese artist Kitagawa Utamaro, dates back to the early 19th century. This masterpiece, created during the Edo period, showcases the vibrant and intricate world of Japanese fashion and culture. The print depicts two women, dressed in traditional kimonos, standing in a quiet northern quarter of Japan. The first woman, with long black hair adorned with a rose, wears a pink kimono with a delicate pattern of blossoming cherry trees. Her shy expression and demure pose convey a sense of refinement and elegance. The second woman, with a naga oban (large oblong) kimono in a muted color palette, gazes at her companion with a playful smile. The children in the background, dressed in simple clothing, add a touch of innocence and charm to the scene. Utamaro's masterful use of color woodblock printing is evident in the intricate details of the women's clothing, the subtle shading, and the realistic portrayal of their expressions and body language. The print also highlights the concept of the artistic school of Ukiyo-e, which focused on the depiction of the "floating world" - the transient pleasures and beauty of everyday life. This print is a testament to the rich artistic heritage of Japan and the enduring appeal of its traditional clothing and customs. It is a must-see for anyone interested in Asian art, fashion, or the history of printmaking. The Art Institute of Chicago is fortunate to have this precious piece in its collection, allowing us to appreciate the beauty and intricacy of Utamaro's work and the world he captured through his art.
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