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Camera from the studio of H. C. Anderson, 1947 - 1955. Creator: Graflex Inc
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Camera from the studio of H. C. Anderson, 1947 - 1955. Creator: Graflex Inc
A Pacemaker Speed Graphic 4x5 transparency film camera in black and silver. The front cover releases and opens. The text on the front reads, " Super SPEED GRAPHIC" and a leather handle is attached to one side. Reverend Henry Clay Anderson was an African-American pastor, teacher, veteran, and photographer, best known for capturing the lives of the black middle class of Greenville, Mississippi from 1948 to 1986
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Media ID 22167643
© Heritage Art/Heritage Images
1950s Black History Camera Cameras Cultural Heritage Fifties Heritage Nmaahc Afro American
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EDITORS COMMENTS
This print showcases a remarkable piece of history - the Camera from the studio of H. C. Anderson, dating back to 1947-1955. Created by Graflex Inc. , this Pacemaker Speed Graphic 4x5 transparency film camera exudes elegance with its black and silver color scheme. The front cover gracefully releases and opens, revealing the lens that captured countless moments in time. Imprinted on the front is the text "Super SPEED GRAPHIC" signifying its exceptional capabilities as a photographic tool. A leather handle attached to one side adds a touch of sophistication and practicality to this vintage gem. Reverend Henry Clay Anderson, an African-American pastor, teacher, veteran, and photographer extraordinaire, wielded this very camera during his illustrious career. From 1948 to 1986, he skillfully documented the lives of Greenville's black middle class in Mississippi – capturing their joys, struggles, and triumphs through his lens. Now preserved within the National Museum of African American History and Culture (NMAAHC), this artifact stands as a testament to Anderson's immense talent and dedication. It serves as a window into an era when photography played a vital role in preserving cultural heritage. As we admire this object today, let us remember Reverend Henry Clay Anderson's invaluable contribution not only to photography but also to our understanding of African-American history in mid-20th century America.
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