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Afflicted with the Jim-Jams, 1872. Creator: Alfred Jacob Miller
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Afflicted with the Jim-Jams, 1872. Creator: Alfred Jacob Miller
Afflicted with the Jim-Jams, 1872. A street-car passenger tries to befuddle the ticket collector with nonsensical conversation
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Media ID 36371501
© Heritage Art/Heritage Images
1870s Alfred Jacob Miller Explaining Ink On Paper Miller Alfred Jacob Nonsense Passenger Passengers Speaking Street Car Street Cars Streetcar Streetcars Talking Ticket Tram Trams Walters Art Museum Ticket Collector Ticket Inspector
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EDITORS COMMENTS
Afflicted with the Jim-Jams: A Street-Car Passenger's Playful Interaction with a Ticket Collector, 1872, is a captivating ink and wash drawing by Alfred Jacob Miller. This intriguing 19th-century American artwork transports us back in time to an era of road transport evolution, specifically the streetcar era. The image presents a humorous scene inside a streetcar, where a passenger engages in nonsensical conversation with the ticket collector, attempting to befuddle him. Miller masterfully captures the essence of this moment, using his artistic skills to bring to life the intricate details of the streetcar's interior, from the worn wooden seats and the ticket collector's stern expression to the background people, some of whom appear to be engaged in their own conversations or simply observing the interaction between the two men. The drawing's monochromatic palette, with its subtle variations in shading and texture, adds depth and dimension to the scene, making it a striking example of the ink and wash technique. The title "Afflicted with the Jim-Jams" is believed to be a colloquialism of the time, possibly referring to a state of confusion or disorientation. This artwork is a valuable addition to the heritage of American art, providing a glimpse into the daily life of the 1870s and the evolving transportation landscape of the United States. The Walters Art Museum is fortunate to house this fascinating piece, allowing us to appreciate the artistic talents of Alfred Jacob Miller and the historical context of the scene he has so skillfully captured.
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