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Amida, or Amitabha, principal buddha of the Pure Land sect of Buddhism. Copper engraving, English, late 18th century, from Richard Hurds Religious Rites & Ceremonies of All Nations

Amida, or Amitabha, principal buddha of the Pure Land sect of Buddhism. Copper engraving, English, late 18th century, from Richard Hurds Religious Rites & Ceremonies of All Nations


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Amida, or Amitabha, principal buddha of the Pure Land sect of Buddhism. Copper engraving, English, late 18th century, from Richard Hurds Religious Rites & Ceremonies of All Nations

BUDDHISM: AMITABHA.
Amida, or Amitabha, principal buddha of the Pure Land sect of Buddhism. Copper engraving, English, late 18th century, from Richard Hurds Religious Rites & Ceremonies of All Nations

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 10730635

Bead Buddhism Cartouche Devil Drown Earring Evil Head Headdress Hurd Japan Japanese Lake Mountain Richard Rowboat Worship Amitabha


EDITORS COMMENTS
This copper engraving from the late 18th century showcases Amida, also known as Amitabha, the principal Buddha of the Pure Land sect in Buddhism. The intricate details and craftsmanship of this English print are truly remarkable. Amida is depicted seated on a mountain with an awe-inspiring backdrop of a serene lake and towering mountains. His divine presence is accentuated by his elaborate headdress and beaded earring, symbolizing his spiritual authority. Surrounding him are men and women engaged in worship, demonstrating their devotion to this revered deity. The composition of the image is further enhanced by a cartouche that frames Amida's figure, adding an artistic touch to this religious representation. However, lurking within the scene is a devilish figure representing evil forces that seek to distract individuals from attaining enlightenment. One cannot help but be drawn into this visual narrative that encapsulates both tranquility and spirituality. The print serves as a testament to Richard Hurd's exploration of religious rites and ceremonies across different cultures during that era. Whether you are an admirer of Buddhist art or simply appreciate historical engravings, this exquisite piece offers a glimpse into 18th-century England's fascination with Eastern religions like Buddhism. It invites contemplation on themes such as faith, transcendence, and the pursuit of inner peace – timeless concepts still relevant today.

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