Sir John Everett Millais Collection

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

The Boyhood of Raleigh, after the painting by Sir John Everett Millais. Walter, and his older brother, seated on the ground listening to a sailors story. Sir Walter Raleigh, c.?1552 /1554 - 1618

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

My First Sermon, 1863, (1912). Artist: John Everett Millais
My First Sermon, 1863, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais
Scene from Framley Parsonage by Anthony Trollope, 1860. The Rev and Mrs Crawley at home with their young family which, as an impoverished parson, he has difficulty in supporting

Sir John Everett Millais, 1st Baronet, 1829 - 1896
3083245 Sir John Everett Millais, 1st Baronet, 1829 - 1896.; Private Collection; (add.info.: English painter and illustrator, one of the founders of the Pre-Raphaelite Brotherhood)

The Earl of Beaconsfield, Benjamin Disraeli, 1881
3480295 The Earl of Beaconsfield, Benjamin Disraeli, 1881; (add.info.: Portrait of the Earl of Beaconsfield, Benjamin Disraeli by Sir John Everett Millais. 1881)

Portrait of Sir John Everett Millais
672596 Portrait of Sir John Everett Millais; (add.info.: J E Millais - Woodbury Sir John Everett Millais, 1st Baronet (8 June 1829 - 13 August 1896)

Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers
Christmas Story-telling - drawn by J. E. Millais, 1862. Victorian family entertainment. From "Illustrated London News", 1862

The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
The Nearest Way to School, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
Caller Herrin, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

James Clarke Hook, R.A. after J.E.Millais, R.A. c1880-83. Creator: Otto Theodor Leyde
James Clarke Hook, R.A. after J.E.Millais, R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner
Forbidden Fruit, after John Everett Millais, Esq. R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin
The North West Passage, after John Everett Millais, Esq. R.A. 1874. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner
John Everett Millais, Esq. R.A. after himself'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

The Proscribed Royalist, 1858. Creator: William Henry Simmons
The Proscribed Royalist, 1858

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:a picture painted

Lovers in Woods, 1850/96. Creator: John Everett Millais
Lovers in Woods, 1850/96

Summer Indolence, 1861. Creator: John Everett Millais
Summer Indolence, 1861

Happy Springtime, 1860. Creator: John Everett Millais
Happy Springtime, 1860

A Penny for Her Thoughts, 1878. Creator: John Everett Millais
A Penny for Her Thoughts, 1878

Bridge of Sighs, 1858. Creator: John Everett Millais
Bridge of Sighs, 1858

Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais
Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852

The Young Mother, 1857. Creator: John Everett Millais
The Young Mother, 1857

Going to the Park, 1872. Creator: John Everett Millais
Going to the Park, 1872

Saint Agnes of Intercession, 1850. Creator: John Everett Millais
Saint Agnes of Intercession, 1850

The Baby House, 1863. Creator: John Everett Millais
The Baby House, 1863

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

The Vale of Rest, 1858-1859, (c1902). Creator: Unknown
The Vale of Rest, 1858-1859, (c1902). After a painting in the Tate Gallery, London. Subtitled, Where the weary find repose

Jephthah, 1867 (oil on canvas)
NGW184269 Jephthah, 1867 (oil on canvas) by Millais, John Everett (1829-96); 127x162.7 cm; National Museum Wales; National Museums & Galleries of Wales

The Ornithologist, 1885 (oil on canvas)
2636045 The Ornithologist, 1885 (oil on canvas) by Millais, John Everett (1829-96); 160.7x215.9 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Wandering Thoughts, c. 1855 (oil on canvas)
MAN62963 Wandering Thoughts, c.1855 (oil on canvas) by Millais, John Everett (1829-96); 35.2x24.9 cm; Manchester Art Gallery

Only a Lock of Hair, c. 1857-58 (oil on panel)
MAN62964 Only a Lock of Hair, c.1857-58 (oil on panel) by Millais, John Everett (1829-96); 35.3x25 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Study for The Vale of Rest (w/c, gouache & gum arabic on paper)
5890678 Study for The Vale of Rest (w/c, gouache & gum arabic on paper) by Millais, John Everett (1829-96); 13.3x20.9 cm; Manchester Art Gallery, UK; (add.info.: Graveyard scene at twilight)

Stella, 1868 (oil on canvas)
MAN62961 Stella, 1868 (oil on canvas) by Millais, John Everett (1829-96); 112.7x92.1 cm; Manchester Art Gallery, UK; (add.info)

Glen Birnam, 1891 (oil on canvas)
MAN62962 Glen Birnam, 1891 (oil on canvas) by Millais, John Everett (1829-96); 145.2x101.1 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Victory O Lord, 1871 (oil on canvas)
MAN62959 Victory O Lord, 1871 (oil on canvas) by Millais, John Everett (1829-96); 194.7x141.3 cm; Manchester Art Gallery, UK; (add.info)

Autumn Leaves, 1856 (oil on canvas)
MAN62958 Autumn Leaves, 1856 (oil on canvas) by Millais, John Everett (1829-96); 104.3x74 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas)
MAN62965 Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas) by Millais, John Everett (1829-96); 122x95 cm; Manchester Art Gallery

Winter Fuel, 1873 (oil on canvas)
MAN62960 Winter Fuel, 1873 (oil on canvas) by Millais, John Everett (1829-96); 194.5x149.5 cm; Manchester Art Gallery, UK; (add.info.: view of Birnham Hill, Perthshire;); © Manchester Art Gallery

The Death of Romeo and Juliet, c. 1848 (oil on millboard)
MAN62966 The Death of Romeo and Juliet, c.1848 (oil on millboard) by Millais, John Everett (1829-96); 16.1x26.9 cm; Manchester Art Gallery

A Flood, 1870 (oil on canvas)
MAN62957 A Flood, 1870 (oil on canvas) by Millais, John Everett (1829-96); 99.3x144.9 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

The blind girl, 19th century (oil on canvas)
JLJ4682635 The blind girl, 19th century (oil on canvas) by Millais, John Everett (1829-96); Birmingham Museums and Art Gallery; (add.info.: The blind girl)

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Sir John Everett Millais was a renowned British artist who lived from 1829 to 1896. He was one of the founding members of the Pre-Raphaelite Brotherhood, a group that sought to revive the detailed and vibrant style of early Renaissance art. Millais's works encompassed various themes and subjects, showcasing his exceptional talent and versatility. In "My First Sermon" (1863), we see a young boy engrossed in religious contemplation, while "My Second Sermon" (1864) depicts him lost in mischievous thoughts during church service. These paintings highlight Millais's ability to capture human emotions with great precision. Another notable work by Millais is "John Ruskin" (1853-1854), which portrays the influential art critic and philosopher. This painting showcases Millais's skillful use of light and shadow, as well as his attention to detail. Millais also delved into historical scenes, such as "Sir Isumbras at the Ford" (1857), where he depicted a knight on horseback crossing a river. The meticulous rendering of armor and landscape demonstrates his dedication to accuracy. One of his most famous pieces is "Autumn Leaves" (1856), featuring four young girls gathering fallen leaves in an autumnal setting. This painting exemplifies Millais's mastery in capturing natural beauty and evoking emotion through color and composition. "The Order of Release" (1746) is another remarkable work by Millais that depicts a Scottish rebel being freed from prison after receiving pardon. The intricate details in clothing and facial expressions reveal his commitment to historical authenticity. Additionally, he illustrated scenes from literature like Anthony Trollope's novel Framley Parsonage in 1860, showcasing his ability to bring fictional characters to life through visual storytelling. Millais even ventured into portraiture with "The Boyhood of Raleigh, " portraying Sir Walter Raleigh listening intently to a sailor's story.