Seascape Collection (#100)

A triton and an ouroboros, illustration "Emblemata"
3512890 A triton and an ouroboros, illustration " Emblemata" (Emblematum libellus) by Andrea Alciati (colour litho) by Italian School

The young woman, sitting in the stern, was lost in contemplation
3501802 The young woman, sitting in the stern, was lost in contemplation, from Around the World in Eighty Days by Jules Verne (1828-1905), engraved by Jean Louis Prevost, (1790-1850)

A Sea Piece, 1831 (oil on canvas)
3506258 A Sea Piece, 1831 (oil on canvas) by Chambers, George the Elder (1803-40); 69.2x106 cm; Herbert Art Gallery & Museum, Coventry, UK; eHerbert Art Gallery & Museum, Coventry; English

Seascape with Ship, 1870 (oil on panel)
3506246 Seascape with Ship, 1870 (oil on panel) by Durand-Brager, Jean Baptiste Henri (1814-79); 71.9x50.4 cm; Herbert Art Gallery & Museum, Coventry, UK; eHerbert Art Gallery & Museum

The Reef, Porth, Newquay, late 19th-early 20th century (oil on canvas)
3506212 The Reef, Porth, Newquay, late 19th-early 20th century (oil on canvas) by Smith, Reginald (1855-1925); 46x61.5 cm; Herbert Art Gallery & Museum, Coventry, UK; (add.info.: Smith)

September Morn, c. 1912 (oil on canvas)
3493227 September Morn, c.1912 (oil on canvas) by Chabas, Paul (1869-1937); 163.8x216.5 cm; Metropolitan Museum of Art, New York

American Vessels No. 1, c. 1845 (litho)
2959547 American Vessels No. 1, c.1845 (litho) by Lane, Fitz Henry (1804-65) (after); 33x 44.5 cm; Shelburne Museum, Vermont

Four Schooners, c. 1930 (oil on card)
2957189 Four Schooners, c.1930 (oil on card) by Wallis, Alfred (1855-1942); 13x33 cm; Private Collection; English, out of copyright

Three Boats between Lighthouse and Shore, c. 1930 (oil on card)
2957056 Three Boats between Lighthouse and Shore, c.1930 (oil on card) by Wallis, Alfred (1855-1942); 31x57 cm; Private Collection; English, out of copyright

Sunrise over the North West Coast of Skye (oil on canvas)
2956887 Sunrise over the North West Coast of Skye (oil on canvas) by Severn, Joseph Arthur Palliser (1842-1931); 40.64x63.5 cm; Private Collection; (add.info)

The Beach at Sainte-Adresse, 1856-57 (albumen print)
2971333 The Beach at Sainte-Adresse, 1856-57 (albumen print) by Le Gray, Gustave (1820-1884); 31.3x38.7 cm; The Art Institute of Chicago, IL

Fishing Boats with Hucksters Bargaining for Fish, 1837-38 (oil on canvas)
2970105 Fishing Boats with Hucksters Bargaining for Fish, 1837-38 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 174.5x224.9 cm; The Art Institute of Chicago, IL

At San Remo looking over the Mediterranean, 10th January 1878 (w / c & gouache on paper)
3108957 At San Remo looking over the Mediterranean, 10th January 1878 (w/c & gouache on paper) by Tinling, George Douglas (1844-80); 16.5x12.7 cm; Private Collection; Abbott and Holder, London

At San Remo looking West, 29th November 1877 (w / c on paper)
3108953 At San Remo looking West, 29th November 1877 (w/c on paper) by Tinling, George Douglas (1844-80); 17.8x25.4 cm; Private Collection; Abbott and Holder, London, UK; British, out of copyright

San Remo, 4. 55 p. m. 7th November, 1877 (w / c on paper)
3108951 San Remo, 4.55 p.m. 7th November, 1877 (w/c on paper) by Tinling, George Douglas (1844-80); Private Collection; Abbott and Holder, London, UK; British, out of copyright

Steamboat Leaving Boulogne, 1864 (oil on canvas)
2968571 Steamboat Leaving Boulogne, 1864 (oil on canvas) by Manet, Edouard (1832-83); 73.6x92.6 cm; The Art Institute of Chicago, IL, USA; Potter Palmer Collection; French, out of copyright

Trouville (Grey and Green, the Silver Sea), 1865 (oil on canvas)
2968003 Trouville (Grey and Green, the Silver Sea), 1865 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 51.5x77.2 cm; The Art Institute of Chicago, IL

View of the ironclad battleship HMS Inflexible (launched 1876
3244790 View of the ironclad battleship HMS Inflexible (launched 1876) pictured after conversion to military rig in 1885 (b/w photo) by English Photographer

HMS Flora Run Aground in 1903 (b / w photo)
3244776 HMS Flora Run Aground in 1903 (b/w photo) by A. Edward Jones & Co. (est.1902); National Museum of the Royal Navy, Portsmouth, Hampshire

Commodore Nelsons Squadron Skilfully Manoeuvering Against a Superior French Force in
3244769 Commodore Nelsons Squadron Skilfully Manoeuvering Against a Superior French Force in 1795 (etching) by Pocock, Nicholas (1741-1821); National Museum of the Royal Navy, Portsmouth, Hampshire

Design for the Naval Pillar, 1800 (coloured etching)
3244692 Design for the Naval Pillar, 1800 (coloured etching) by Gillray, James (1757-1815); National Museum of the Royal Navy, Portsmouth, Hampshire, UK; (add.info.: Coloured etching)

The Ship Severn, c. 1835 (oil on canvas)
2830872 The Ship Severn, c.1835 (oil on canvas) by Walter, Joseph (1783-1856); 52x75 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Miss M.E

Cawsand Bay, 1877 (oil on canvas)
2830866 Cawsand Bay, 1877 (oil on canvas) by Knight, Charles Parsons (1829-97); Bristol Museum and Art Gallery, UK; eBristol Museums

Steamship Arragon, 1878 (oil on canvas)
2829342 Steamship Arragon, 1878 (oil on canvas) by Jacobsen, Antonio (1850-1921); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Sydney C

Putting the Catch Ashore (oil on canvas)
2829817 Putting the Catch Ashore (oil on canvas) by Miles, Thomas Rose (1844-1916); 100x74.5 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Mrs E Helsby

Seascape: Grey Weather, 1885 (oil on panel)
2829683 Seascape: Grey Weather, 1885 (oil on panel) by Hale, William Matthew (c.1849-c.1929); Bristol Museum and Art Gallery, UK; eBristol Museums

Ship William Miles of Bristol, 1827 (oil on canvas)
2829368 Ship William Miles of Bristol, 1827 (oil on canvas) by Walters, Miles (1774-1849); 46.1x79.2 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased

The Crossing, (oil on panel)
650796 The Crossing, (oil on panel) by Wright, George (fl.1881-92); 18x25.3 cm; Private Collection; (add.info.: The Crossing. George Wright (fl.1881-92). Oil on panel

Seascape with a ketch, off Adelaide, South Australia (w / c on paper)
710952 Seascape with a ketch, off Adelaide, South Australia (w/c on paper) by Ashton, James (1859-1935); Private Collection; Collection Michael Burden, New College, Oxford; English

The Whaler, 1845 (w / c over pencil on paper)
2899413 The Whaler, 1845 (w/c over pencil on paper) by Turner, Joseph Mallord William (1775-1851); 22.7x32.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Funchal Roadstead, H. M. S. Blenheim with Greyhound and Harrier Outward Bound
570513 Funchal Roadstead, H.M.S. Blenheim with Greyhound and Harrier Outward Bound, 1805 (oil on canvas) by Butterworth, Thomas (1768-1827)

Early Evening on the Coast of the Sark (w / c on paper)
619280 Early Evening on the Coast of the Sark (w/c on paper) by St. Dalmas, Francis Emeric de (c.1870-1939); 39.3x55.8 cm; Private Collection; Photo eThe Ms Gallery, London; British, out of copyright

Ships Near the Coast, 1831 (oil on canvas)
695525 Ships Near the Coast, 1831 (oil on canvas) by Koekkoek, Johannes Hermanus (1778-1851); 45x59.5 cm; Private Collection; Dutch, out of copyright

Monaco, 1864 (pencil, pen & brown ink and w / c with white)
CH378645 Monaco, 1864 (pencil, pen & brown ink and w/c with white) by Lear, Edward (1812-88); 37.6x 54.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

A 44-Gun Frigate, a Passenger Paddle-Steamer and other Shipping off St
CH378267 A 44-Gun Frigate, a Passenger Paddle-Steamer and other Shipping off St.Peter Port, Guernsey, 1825 (oil on canvas) by Serres

Untitled (oil on canvas)
OJ379523 Untitled (oil on canvas) by Moran, Edward (1829-1901); 58.4x81.3 cm; Private Collection; eAckermann Johnson; American, out of copyright

Postcard depicting the cliffs at Saint-Valery-en-Caux, c. 1900 (b / w photo)
REV382756 Postcard depicting the cliffs at Saint-Valery-en-Caux, c.1900 (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: carte postale; falaises a St)

On the Beach (w / c on paper)
XPG381883 On the Beach (w/c on paper) by Garside, Oswald (1879-1942); Private Collection; English, out of copyright

Cod-fishing off Cape Cod, Massachusetts in the 18th century (litho)
PNP367796 Cod-fishing off Cape Cod, Massachusetts in the 18th century (litho) by American School; Private Collection; Peter Newark American Pictures; American, out of copyright

Leith and Edinburgh from the Firth of Forth, 1847 (oil on board)
TW427099 Leith and Edinburgh from the Firth of Forth, 1847 (oil on board) by Carmichael, John Wilson (1800-68); 25x35.1 cm; Laing Art Gallery, Newcastle-upon-Tyne

Sir Francis Holvering (oil on canvas)
TW426976 Sir Francis Holvering (oil on canvas) by Zoffany, Johann (1733-1810); 76.2x64.1 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Sir Francis Holvering is shown with a relaxed)

Naples (oil on canvas)
TW426954 Naples (oil on canvas) by Antoniani, Pietro (c.1740-1805); 30.5x47.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Italian, out of copyright

Rescue of the Guardians Crew by a French Merchant Ship
TW426630 Rescue of the Guardians Crew by a French Merchant Ship, 2nd January 1790 (oil on board) by Buttersworth, Thomas (1768-1842); 30x42.6 cm; Shipley Art Gallery, Gateshead, Tyne & Wear

The Kamikaze - the Divine Wind that saved Japan, 20th century (litho)
428000 The Kamikaze - the Divine Wind that saved Japan, 20th century (litho) by Japanese School; Private Collection; (add.info)

St. Marys Island, c. 1885-95 (oil on canvas)
TW427979 St. Marys Island, c.1885-95 (oil on canvas) by Hemy, Bernard Benedict (1845-1913); 36x51.4 cm; South Shields Museum & Art Gallery, South Shields

Marsden Rock, c. 1880-1900 (oil on canvas)
TW427968 Marsden Rock, c.1880-1900 (oil on canvas) by Hemy, Bernard Benedict (1845-1913); 36.1x51 cm; South Shields Museum & Art Gallery, South Shields, UK; eTyne & Wear Archives & Museums; British

A Clipper and an East Indiaman Leaving Port (oil on canvas)
TW426575 A Clipper and an East Indiaman Leaving Port (oil on canvas) by Carmichael, John Wilson (1800-68); 137.9x88.8 cm; Shipley Art Gallery, Gateshead, Tyne & Wear

The Tail of Mull from Iona (oil on canvas)
CH426488 The Tail of Mull from Iona (oil on canvas) by Cadell, Francis Campbell Boileau (1883-1937); 37.5x46 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

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"Captivating Seascape: A Journey through Nature's Masterpieces" Immerse yourself in the mesmerizing world of seascape, where art and nature intertwine to create breathtaking vistas. From J. M. W. Turner's iconic painting "The Fighting Temeraire" depicting a majestic ship against a fiery sunset, to the awe-inspiring Table Mountain in Cape Town, South Africa, these scenes transport us to realms of tranquility and wonder. Worms Head in Rhossili Bay, Wales invites you to explore its rugged beauty as waves crash against ancient cliffs. The dramatic encounter between HMS Exeter and Graf Spree at the Battle of the River Plate comes alive on canvas, capturing both the power and vulnerability of naval warfare. Feel the soft sand beneath your toes as you stroll along Borth y Gest beach, basking in the serenity that only nature can provide. Clouds dance across an azure sky while vibrant colors paint a picture-perfect day. Traveling further westward brings us to Oregon Coast's Neahkahnie Beach and Manzanita viewpoint – a haven for those seeking solace amidst coastal splendor. The Art Deco Burgh Island Hotel stands proudly on its own island retreat, exuding timeless elegance against a backdrop of crashing waves. In John Martin's masterpiece "Ulysses Deriding Polyphemus, " we witness mythological drama unfold upon tumultuous waters. As evening descends upon Looe in Cornwall, Nelson the Seal bids farewell under a captivating sunset – an enchanting moment frozen in time. Talisker Beach on Scotland's Isle of Skye beckons with its untamed allure; windswept dunes meet crystalline waters as if untouched by human hands. And finally, gaze into the eyes of "Portrait of a Young Gentleman, " his enigmatic expression hinting at stories yet untold.