Pietro Collection (#15)

Pietro Mascagni
PIETRO MASCAGNI Italian musician, composer of Cavalleria rusticana, L amico Fritz and many other operas. Date: 1863 - 1945

Pietro Loredano
PIETRO LOREDANO doge of Venice 1568 to 1570 Date: 1481 - 1570

Drawings Prints, Print, Christ, appearing, Saint, Margaret, Cortona, Artist, Pietro Marchesini
Drawings and Prints, Print, Christ appearing to Saint Margaret of Cortona, Artist, Pietro Marchesini, Italian, Pistoia 1692-1757 Pistoia, Marchesini, Pietro, Italian, 1692, 1757, 1728, 1728

Drawings Prints, Print, Portrait, Pietro, Angela, da, Barga, bust-length, decorative border
Drawings and Prints, Print, Portrait of Pietro Angela da Barga, bust-length and in a decorative border, Artist, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553-1615 Rome

Wind God 1669 Black chalk highlighted white brownish paper
Artokoloro

Drawings Prints, Print, Virgin, holding, cloth, sleeping, infant, Christ, Reni, Artist
Drawings and Prints, Print, The Virgin holding a cloth above the sleeping infant Christ, after Reni, Artist, After, Engraved by, Guido Reni, Pietro Masini, Italian, Bologna 1575-1642 Bologna

Speculum Romanae Magnificentiae Pineapple Courtyard
Artokoloro

Drawings Prints, Print, Cupid, Elysian, Fields, tied, tree, centre, surrounded many figures
Drawings and Prints, Print, Cupid in the Elysian Fields tied to a tree in the centre, surrounded by many figures, Publisher, Artist, Pietro Stefanoni, Giulio Bonasone, Italian, Valstagna ca

Triumph Nature Art design engraving De Florum Cultura
Artokoloro

Saint Peters Basilica interior, Rome, Italy

Saul Receiving His Sight
An engraving of Saul receiving his sight by Pietro da Cortona (1596-1669), circa 1630s. (Photo by Kean Collection/Getty Images)

Apostel in front of the Cathedral of San Pietro Modica Italy

Cathedral of San Pietro Modica Italy

Source Size = 2944 x 3433
" the Finding of Romulus and Remus" from the Picture by Pietro Da Cortona

Pietro Damini, Italian (1592-1631), The Virgin and Child Adored by Saint Catherine and Another Female Saint, pen and brown ink over traces of black chalk on laid paper

Pietro Giacomo Palmieri, Italian (1737-1804), A Resting Shepherd with Cows and Goat, 1774, pen and brown ink on laid paper

after Pietro da Cortona, Masinissa and Sophonisba, black chalk

Pietro Fancelli, Italian (1764-1850), Women Dancing, c. 1820, black chalk on wove paper

Pietro Gonzaga, Italian (1751-1831), Fantasy of a Great Hall with Basketweave Columns, c. 1800, pen and brown ink with brown wash on laid paper

Pietro Perugino, The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [middle panel], Italian, c. 1450-1523, c. 1482-1485, oil on panel transferred to canvas

Probably Cosimo Fancelli, after Pietro da Cortona, The Virgin and Child Appearing to Saint Martina, Italian, 1620-1688, c. 1650, gilt bronze

Titian, Cardinal Pietro Bembo, Italian, c. 1490-1576, c. 1540, oil on canvas

Pietro Perugino, Italian (c. 1450-1523), Portrait of Lorenzo di Credi, 1488, oil on panel transferred to canvas

Pietro Testa (Italian, 1612 - 1650), Young Woman, Surrounded by Cupids, etching

Pietro Faccini (Italian, probably c. 1562 - 1602), Saint Francis with the Christ Child, etching

View of St. Peters Basilica and Piazza, from the Views of Rome series, c
XJF497255 View of St. Peters Basilica and Piazza, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

Bird s-eye view of St. Peters Basilica and Piazza, form the Views of Rome series
XJF497254 Bird s-eye view of St. Peters Basilica and Piazza, form the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

View of the interior of St. Peters Basilica, from the Views of Rome series, c
XJF497253 View of the interior of St. Peters Basilica, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

View of St Peters Basilica and Piazza, from the Views of Rome series, c
XJF497252 View of St Peters Basilica and Piazza, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

Pietro Rotari after Antonio Balestra (Italian, 1707 - 1762), Venus Appearing to Achilles, 1725, etching with engraving

Three Angels appearing to Abraham, engraved by Pietro Monaco, c. 1750 (engraving)
XJF486484 Three Angels appearing to Abraham, engraved by Pietro Monaco, c.1750 (engraving) by Tiepolo, Giovanni Battista (1696-1770) (after); Private Collection; (add.info)

Personifications of Faith, Hope and Love, engraved by Pietro Monaco, c. 1750 (engraving)
XJF486483 Personifications of Faith, Hope and Love, engraved by Pietro Monaco, c.1750 (engraving) by Tiepolo, Giovanni Battista (1696-1770) (after); Private Collection; (add.info)

Alessandro Longhi or Pietro Longhi (Italian, 1733 - 1813), Portrait of a Procurator, black chalk heightened with white on gray paper

Pietro Roselli (Italian, c. 1700 - 1771 or after), The Apotheosis of Saint Mark [recto and verso], pen and brown ink over black chalk

Pietro Antonio Novelli (Italian, 1729 - 1804), The Peep-Show, c. 1770, pen and brown ink with gray and brown wash over black chalk on laid paper

after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper

Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint Catherine [left panel], c. 1330-1340, tempera on panel transferred to canvas

M. Pietro Aretino, Titian, approximately 1488-1576, between 1540 and 1560, chiaroscuro woodcut, Print showing the poet Pietro Aretino, full-length portrait from behind

Tending Vines from Livre des prouffits champetres by Petrus de Crescentiis
XJF359003 Tending Vines from Livre des prouffits champetres by Petrus de Crescentiis, edition published in 1529 (woodcut) by French School

Le Sette Chiesa di Roma, 1575 (etching) (b / w photo)
XJF324407 Le Sette Chiesa di Roma, 1575 (etching) (b/w photo) by Lafreri, Antonio (1512-77); Private Collection; (add.info)

Adam and Eve, engraved by Pietro Monaco, c. 1741-52 (engraving)
XJF472225 Adam and Eve, engraved by Pietro Monaco, c.1741-52 (engraving) by Tintoretto, Jacopo Robusti (1518-94) (after); Private Collection; (add.info)

Portrait of Pietro Vettori, Cornelis Cort, Anonymous, Hugo Blotius, 1574

Portrait of poet Pietro Aretino, Cornelis van Dalen (II), Titiaan, 1648 - 1664

Portrait of Pietro Francavilla (Pietro Franqueville), Pieter de Jode (I), 1590 - 1632

Pietro Ciacconne conquer a boat from Leiden The Netherlands, 1574. Jan Luyken, Engelbrecht Boucquet, 1699

Pietro Ciacconne conquers a boat from Leiden The Netherlands, 1574, Jan Luyken, 1699

Holy Family with Saint Anne (recto), Figure Sketches (verso); Pietro Testa, Italian, 1612 - 1650; Italy, Europe; about 1645 - 1650; Pen and brown ink, brown wash

Standing Woman Holding a Muff, Turned Slightly to the Left (recto), Studies of Heads (verso); Pietro Longhi, Italian, 1701 - 1785; Italy

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"Pietro: A Master of Artistic Majesty and Timeless Beauty" Step into the world of Pietro, an Italian artist whose name echoes through the annals of art history. From his breathtaking portraits to his awe-inspiring frescoes, Pietro's talent knows no bounds. One such masterpiece is "Queen Elizabeth II" by Pietro Annigoni in the ILN. With meticulous brushstrokes, he captures the regal grace and strength that defines Her Majesty, and is a portrait that immortalizes her reign for generations to come. In another stroke of genius, Fra Angelico depicts "The Coronation of the Virgin. " This ethereal painting transports us to a celestial realm where divine beauty unfolds before our eyes. The harmonious colors and delicate details reveal Fra Angelico's reverence for spirituality. Pietro Lorenzetti's "Madonna dei Tramonti" enchants with its serene charm. The Madonna tenderly cradles baby Jesus as golden hues bathe them in heavenly light, and is a testament to Lorenzetti's mastery in capturing emotion and devotion on canvas. Flipping through Tatler Royal Wedding Souvenir Number from 1960, we glimpse at moments frozen in time - joyous celebrations filled with elegance and grandeur fit for royalty. These images remind us of Pietro's ability to capture not just individuals but also their stories within each frame. On a different note, Nearco triumphs after winning Grand Prix de Paris - an exhilarating moment captured by Pietro Annigoni himself. Through bold strokes and vivid colors, he conveys the raw energy pulsating within this victorious steed. As dusk settles over Rome, Ponte Sant Angelo stands tall against the backdrop of St Peter's Basilica on River Tiber - an enchanting scene painted by nature itself. Just like this picturesque view, Pietro Annigoni immortalizes Rome's timeless allure through his art.