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Diaghilev Collection

"Diaghilev: Revolutionizing Ballet with Artistic Brilliance" Step into the enchanting world of Diaghilev

Background imageDiaghilev Collection: Ballerina Anna Pavlova (1881-1931), 1910s. Artist: Lavery, Sir John (1856-1941)

Ballerina Anna Pavlova (1881-1931), 1910s. Artist: Lavery, Sir John (1856-1941)
Ballerina Anna Pavlova (1881-1931), 1910s. From a private collection

Background imageDiaghilev Collection: Ballet / Firebird 1914

Ballet / Firebird 1914
An elaborately dressed woman with a firebird on her hand: a design influenced by the recent Diaghilev ballet, with music by Stravinsky

Background imageDiaghilev Collection: Tamara Karsavina. Cover of the Jugend Magazine, 1914. Artist: Blanche, Jaques-Emile (1861-1942)

Tamara Karsavina. Cover of the Jugend Magazine, 1914. Artist: Blanche, Jaques-Emile (1861-1942)
Tamara Karsavina. Cover of the Jugend Magazine, 1914. Private Collection

Background imageDiaghilev Collection: Stage design for the ballet The Afternoon of a Faun by C. Debussy, 1912

Stage design for the ballet The Afternoon of a Faun by C. Debussy, 1912. Artist: Bakst, Leon (1866-1924)
Stage design for the ballet The Afternoon of a Faun by C. Debussy, 1912. From a private collection

Background imageDiaghilev Collection: Cuadro Flamenco - Diaghilev Ballets Russes - Picasso

Cuadro Flamenco - Diaghilev Ballets Russes - Picasso
Two of the Andalusian dancers (Rojas and El Tejero) performing the Cuadro Flamenco - during the Ballet Russes performabce by Diaghilev at the Princes Theatre

Background imageDiaghilev Collection: Costume design for the ballet The Firebird (L oiseau de feu) by I. Stravinsky, 1922

Costume design for the ballet The Firebird (L oiseau de feu) by I. Stravinsky, 1922. Private Collection

Background imageDiaghilev Collection: Vaslav Nijinsky on the Lido, 1909

Vaslav Nijinsky on the Lido, 1909. Found in the Collection of Museum of Modern Art, New York

Background imageDiaghilev Collection: Vaslav Nijinsky in the Ballet The Afternoon of a Faun by C. Debussy. Artist: Bakst, Leon (1866-1924)

Vaslav Nijinsky in the Ballet The Afternoon of a Faun by C. Debussy. Artist: Bakst, Leon (1866-1924)
Vaslav Nijinsky in the Ballet The Afternoon of a Faun by C. Debussy. Found in the collection of State Central A. Bakhrushin Theatre Museum, Moscow

Background imageDiaghilev Collection: Title page of Souvenir program for Ballets Russes. Artist: Bakst, Leon (1866-1924)

Title page of Souvenir program for Ballets Russes. Artist: Bakst, Leon (1866-1924)
Title page of Souvenir program for Ballets Russes. Private Collection

Background imageDiaghilev Collection: Vera Nemchinova, Russian ballet dancer, 1910s

Vera Nemchinova, Russian ballet dancer, 1910s. Nemchinova (1899-1984) as Golden Bird in the Ballet Russes production of Childrens Tales

Background imageDiaghilev Collection: Costume Design for a Sultan (w / c on paper)

Costume Design for a Sultan (w / c on paper)
STC94410 Costume Design for a Sultan (w/c on paper) by Bakst, Leon (1866-1924); Private Collection; The Stapleton Collection; Russian, out of copyright

Background imageDiaghilev Collection: Costume design for the Ballet Blue God by R. Hahn, 1911. Artist: Bakst, Leon (1866-1924)

Costume design for the Ballet Blue God by R. Hahn, 1911. Artist: Bakst, Leon (1866-1924)
Costume design for the Ballet Blue God by R. Hahn, 1911. Private Collection

Background imageDiaghilev Collection: Costume design for the ballet Daphnis et Chloe by M. Ravel, 1912. Artist: Bakst, Leon (1866-1924)

Costume design for the ballet Daphnis et Chloe by M. Ravel, 1912. Artist: Bakst, Leon (1866-1924)
Costume design for the ballet Daphnis et Chloe by M. Ravel, 1912. Found in the collection of the Metropolitan Museum of Art, New York

Background imageDiaghilev Collection: Ida Rubinstein (c. 1885-1960) as Zobeide in Scheherazade, c. 1910 (b / w photo)

Ida Rubinstein (c. 1885-1960) as Zobeide in Scheherazade, c. 1910 (b / w photo)
CHT216989 Ida Rubinstein (c.1885-1960) as Zobeide in Scheherazade, c.1910 (b/w photo) by French Photographer, (20th century); Private Collection; (add.info)

Background imageDiaghilev Collection: Costume design for the ballet Scheharazade by N. Rimsky-Korsakov

Costume design for the ballet Scheharazade by N. Rimsky-Korsakov. Private Collection

Background imageDiaghilev Collection: Diaghilev Photo Sacha

Diaghilev Photo Sacha
SERGEY PAVLOVICH DIAGHILEV Russian Art critic and impresario. A key figure in producing the Ballet Russes

Background imageDiaghilev Collection: Le Train Bleu, performed by Serge Diaghilev's Ballets Russes, June 1924, 1924

Le Train Bleu, performed by Serge Diaghilev's Ballets Russes, June 1924, 1924. Creator: Unknown photographer
Le Train Bleu, performed by Serge Diaghilev's Ballets Russes, June 1924, 1924. Private Collection

Background imageDiaghilev Collection: The first UK performance of Le Train Bleu at the London Coliseum Theatre, 1924

The first UK performance of Le Train Bleu at the London Coliseum Theatre, 1924. Private Collection

Background imageDiaghilev Collection: The first UK performance of Le Train Bleu at the London Coliseum Theatre, 1924

The first UK performance of Le Train Bleu at the London Coliseum Theatre, 1924. Private Collection

Background imageDiaghilev Collection: Portrait of the ballerina Anna Pavlova (1881-1931) Creator: Sorin, Saveli Abramovich (1878-1953)

Portrait of the ballerina Anna Pavlova (1881-1931) Creator: Sorin, Saveli Abramovich (1878-1953)
Portrait of the ballerina Anna Pavlova (1881-1931), 1924

Background imageDiaghilev Collection: Portrait of the choreographer and ballet dancer Léonide Massine (1896-1979), 1922

Portrait of the choreographer and ballet dancer Léonide Massine (1896-1979), 1922
Portrait of the choreographer and ballet dancer Leonide Massine (1896-1979), 1922. Found in the collection of Regional Art Museum, Donetsk

Background imageDiaghilev Collection: Portrait of the Ballet dancer Tamara Karsavina, 1915. Creator: Sorin, Saveli Abramovich (1878-1953)

Portrait of the Ballet dancer Tamara Karsavina, 1915. Creator: Sorin, Saveli Abramovich (1878-1953)
Portrait of the Ballet dancer Tamara Karsavina, 1915. Private Collection

Background imageDiaghilev Collection: Album dédié à Tamar Karsavina, 1914. Creator: Barbier, George (1882-1932)

Album dédié à Tamar Karsavina, 1914. Creator: Barbier, George (1882-1932)
Album dedie a Tamar Karsavina, 1914. Private Collection

Background imageDiaghilev Collection: Album dédié à Tamar Karsavina, 1914. Creator: Barbier, George (1882-1932)

Album dédié à Tamar Karsavina, 1914. Creator: Barbier, George (1882-1932)
Album dedie a Tamar Karsavina, 1914. Private Collection

Background imageDiaghilev Collection: Tamara Karsavina and Vaslav Nijinsky in the Ballet Daphnis et Chloé by M. Ravel, 1914

Tamara Karsavina and Vaslav Nijinsky in the Ballet Daphnis et Chloé by M. Ravel, 1914
Tamara Karsavina and Vaslav Nijinsky in the Ballet Daphnis et Chloe by M. Ravel, 1914. Private Collection

Background imageDiaghilev Collection: Tamara Karsavina in the Diaghilev's first Paris 'Saison Russe', 1909. Creator: Anonymous

Tamara Karsavina in the Diaghilev's first Paris "Saison Russe", 1909. Creator: Anonymous
Tamara Karsavina in the Diaghilev's first Paris "Saison Russe", 1909. Private Collection

Background imageDiaghilev Collection: Vaslav Nijinsky in the Diaghilev's first Paris 'Saison Russe', 1909. Creator: Anonymous

Vaslav Nijinsky in the Diaghilev's first Paris "Saison Russe", 1909. Creator: Anonymous
Vaslav Nijinsky in the Diaghilev's first Paris "Saison Russe", 1909. Private Collection

Background imageDiaghilev Collection: Faun (Nijinsky) and five maenads. Scene from the Nijinsky ballet 'The Afternoon of a Faun', 1912

Faun (Nijinsky) and five maenads. Scene from the Nijinsky ballet "The Afternoon of a Faun", 1912. Private Collection

Background imageDiaghilev Collection: Chorus of maenads. Scene from the Nijinsky ballet 'The Afternoon of a Faun', 1912

Chorus of maenads. Scene from the Nijinsky ballet "The Afternoon of a Faun", 1912. Private Collection

Background imageDiaghilev Collection: Manuel de Falla and Léonide Massine at Alhambra, Granada, 1919. Creator: Anonymous

Manuel de Falla and Léonide Massine at Alhambra, Granada, 1919. Creator: Anonymous
Manuel de Falla and Leonide Massine at Alhambra, Granada, 1919. Private Collection

Background imageDiaghilev Collection: Poster for Ballets Russes, Théâtre National Opéra, 1927. Creator: Historic Object

Poster for Ballets Russes, Théâtre National Opéra, 1927. Creator: Historic Object
Poster for Ballets Russes, Theatre National Opera, 1927. Private Collection

Background imageDiaghilev Collection: The ballet 'Petrushka' by I. Stravinsky, 1920s. Creator: Barchan, Pavel (1876-1942)

The ballet "Petrushka" by I. Stravinsky, 1920s. Creator: Barchan, Pavel (1876-1942)
The ballet "Petrushka" by I. Stravinsky, 1920s. Private Collection

Background imageDiaghilev Collection: La Rubia de Jerez, Mate y Maria de Albaicin and Mate El Sin Pies performing the Cuadro

La Rubia de Jerez, Mate y Maria de Albaicin and Mate El Sin Pies performing the Cuadro Flamenco, a suite of Andalusian dances which form a key part of Diaghilevs Ballets Russes performance at Princes

Background imageDiaghilev Collection: Nijinsky and Maurice Ravel at the piano playing a score from Daphnis and Chloe, 1912

Nijinsky and Maurice Ravel at the piano playing a score from Daphnis and Chloe, 1912. Found in the collection of State Conservatory, St. Petersburg

Background imageDiaghilev Collection: Tamara Karsavina, Vaslav Nijinsky and Adolph Bolm in the ballet Carnaval by R. Schumann

Tamara Karsavina, Vaslav Nijinsky and Adolph Bolm in the ballet Carnaval by R. Schumann. Private Collection

Background imageDiaghilev Collection: Costume design by Leon Bakst (1866-1924) for Carabosse, the wicked fairy godmother in The Sleeping

Costume design by Leon Bakst (1866-1924) for Carabosse, the wicked fairy godmother in The Sleeping Beauty
542947 Costume design by Leon Bakst (1866-1924) for Carabosse, the wicked fairy godmother in The Sleeping Beauty. Music by Tchaikovsky. Choreography by Marius Petipa

Background imageDiaghilev Collection: The Park in front of the Castle, sketch for a stage design for Tchaikovskys Swan Lake staged at

The Park in front of the Castle, sketch for a stage design for Tchaikovskys Swan Lake staged at the Small Drama
SRM96593 The Park in front of the Castle, sketch for a stage design for Tchaikovskys Swan Lake staged at the Small Drama Theatre, St

Background imageDiaghilev Collection: Vaslav Nijinsky (1888-1950) performing in l Apres-Midi d un Faune by Claude Debussy (1862-1918)

Vaslav Nijinsky (1888-1950) performing in l Apres-Midi d un Faune by Claude Debussy (1862-1918) 1912 (b / w photo)
CHT218603 Vaslav Nijinsky (1888-1950) performing in l Apres-Midi d un Faune by Claude Debussy (1862-1918) 1912 (b/w photo) by Meyer, Adolf de (1868-1946); Private Collection; © Archives Charmet

Background imageDiaghilev Collection: Costume design for Igor Stravinskys ballet The Rite of Spring

Costume design for Igor Stravinskys ballet The Rite of Spring
3743174 Costume design for Igor Stravinskys ballet The Rite of Spring, 1912 (gouache and tempera on paper) by Roerich, Nicholas (1874-1947); Bakhrushin Theatrical Museum, Moscow

Background imageDiaghilev Collection: The young girl, costume design for Igor Stravinskys ballet

The young girl, costume design for Igor Stravinskys ballet
3743173 The young girl, costume design for Igor Stravinskys ballet The Rite of Spring, 1912 (gouache and tempera on paper) by Roerich, Nicholas (1874-1947); Bakhrushin Theatrical Museum, Moscow

Background imageDiaghilev Collection: Decor for the ballet 'The Rite of Spring'by Igor Stravinsky

Decor for the ballet "The Rite of Spring"by Igor Stravinsky
3743172 Decor for the ballet " The Rite of Spring" by Igor Stravinsky, 1945 (tempera on canvas) by Roerich, Nicholas (1874-1947); State Russian Museum, St

Background imageDiaghilev Collection: A costume design for Cleopatra, 1910 (pencil, w / c & gouache heightened with

A costume design for Cleopatra, 1910 (pencil, w / c & gouache heightened with
491789 A costume design for Cleopatra, 1910 (pencil, w/c & gouache heightened with silver on paper) by Bakst, Leon (1866-1924); 28x21 cm; Private Collection; (add.info.: Cleopatre)

Background imageDiaghilev Collection: Pirate costume design for Daphnis and Chloe, 1913 (watercolour on board)

Pirate costume design for Daphnis and Chloe, 1913 (watercolour on board)
3928621 Pirate costume design for Daphnis and Chloe, 1913 (watercolour on board) by Bakst, Leon (1866-1924); 26.8x39.5 cm; Cooper-Hewitt, National Design Museum, Smithsonian Institution, NY

Background imageDiaghilev Collection: The dancer Nikitina in Zephyr and Flora, a Diaghileff

The dancer Nikitina in Zephyr and Flora, a Diaghileff ballet, London, 1926 Date: 1926

Background imageDiaghilev Collection: A scene from Diaghileffs Petroushka from a performance

A scene from Diaghileffs Petroushka from a performance in London, 1926 with choreography by Fokine, decor by Benois and music by Stravinsky Date: 1926

Background imageDiaghilev Collection: Diaghilevs scene Les Matelots from a performance in London

Diaghilevs scene Les Matelots from a performance in London, 1926. Scenery and costumes by Pruna Date: 1926

Background imageDiaghilev Collection: Theodore Kosloff and Vera Fredowa, the principal

Theodore Kosloff and Vera Fredowa, the principal characters in Scheherazade performed in 1927 in the Hollywood Bowl Date: 1928

Background imageDiaghilev Collection: Anton Dolin, the English ballet dancer who had

Anton Dolin, the English ballet dancer who had appeared at Covent Garden with the Diaghileff Ballet, 1929 Date: 1929



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"Diaghilev: Revolutionizing Ballet with Artistic Brilliance" Step into the enchanting world of Diaghilev, a visionary impresario who transformed the realm of ballet forever. With his keen eye for talent and an unwavering passion for artistic innovation, he brought together a constellation of extraordinary artists that left an indelible mark on the history of dance. One such luminary was ballerina Anna Pavlova, whose ethereal grace captivated audiences worldwide. In this captivating portrait by Sir John Lavery, we catch a glimpse of her during the 1910s, radiating beauty and elegance. The Firebird ballet in 1914 stands as a testament to Diaghilev's ability to curate groundbreaking performances. With Igor Stravinsky's mesmerizing score and Leon Bakst's stunning stage design, it transported spectators into a mythical realm where magic intertwined with movement. Bakst also lent his creative genius to The Afternoon of a Faun in 1912. His exquisite costume designs adorned Vaslav Nijinsky as he embodied sensuality and mystique on stage – an unforgettable portrayal captured in another masterpiece by Bakst himself. From Sultan attire to the vibrant costumes for Blue God, Diaghilev spared no expense when it came to creating visual spectacles that complemented exceptional choreography. Each intricate detail showcased his commitment to bringing dreams alive through artistry. The allure extended beyond dancers alone; Ida Rubinstein mesmerized as Zobeide in Scheherazade while Tamara Karsavina graced magazine covers like Jugend Magazine in 1914 – both embodying Diaghilev's vision of blending beauty with talent. Even renowned artists like Pablo Picasso were drawn into Diaghilev's orbit. Cuadro Flamenco captures their collaboration within Ballets Russes – fusing two artistic powerhouses into one breathtaking creation.