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Dancer Collection (#100)

"Dancer

Background imageDancer Collection: Spanish Dance, c. 1880 (pigmented beeswax, metal armature, on wooden base)

Spanish Dance, c. 1880 (pigmented beeswax, metal armature, on wooden base)
5667914 Spanish Dance, c.1880 (pigmented beeswax, metal armature, on wooden base) by Degas, Edgar (1834-1917); 44.6x12.2x22 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageDancer Collection: F. 13 A Dance in Otaheite, c. 1773-84 (w / c)

F. 13 A Dance in Otaheite, c. 1773-84 (w / c)
5671377 F.13 A Dance in Otaheite, c.1773-84 (w/c) by Webber, John (1750-93); Mitchell Library, State Library of New South Wales; (add.info.: Vol)

Background imageDancer Collection: Dancer Fastening the String of Her Tights, c. 1885-1890 (pigmented beeswax, plastiline

Dancer Fastening the String of Her Tights, c. 1885-1890 (pigmented beeswax, plastiline
5667932 Dancer Fastening the String of Her Tights, c.1885-1890 (pigmented beeswax, plastiline, metal armature, cork, on wooden base) by Degas

Background imageDancer Collection: Dancing: Sir Roger de Coverley, 1820 (litho)

Dancing: Sir Roger de Coverley, 1820 (litho)
6027886 Dancing: Sir Roger de Coverley, 1820 (litho) by Macquoid, Percy (1852-1925); Private Collection; (add.info.: Sir Roger de Coverley, 1820)

Background imageDancer Collection: French ballet dancer Louise Fitzjames dancing at the Paris Opera, 1844 (colour litho)

French ballet dancer Louise Fitzjames dancing at the Paris Opera, 1844 (colour litho)
6032442 French ballet dancer Louise Fitzjames dancing at the Paris Opera, 1844 (colour litho) by European School, (19th century); Private Collection; (add.info)

Background imageDancer Collection: Angelina Fioretti, Italian ballerina of the Paris Opera (b / w photo)

Angelina Fioretti, Italian ballerina of the Paris Opera (b / w photo)
6032058 Angelina Fioretti, Italian ballerina of the Paris Opera (b/w photo) by Reutlinger Studio (1850-1937) (after); Private Collection; (add.info.: Angelina Fioretti (1846-1879)

Background imageDancer Collection: Kitty Mason, English dancer and actress (b / w photo)

Kitty Mason, English dancer and actress (b / w photo)
6032642 Kitty Mason, English dancer and actress (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Kitty Mason (born 1882), English dancer and actress

Background imageDancer Collection: Italian ballet dancer Marie Taglioni in her father Filippo Taglionis ballet Le Sylphide at

Italian ballet dancer Marie Taglioni in her father Filippo Taglionis ballet Le Sylphide at the Paris Opera
6032461 Italian ballet dancer Marie Taglioni in her father Filippo Taglionis ballet Le Sylphide at the Paris Opera, 1832 (colour litho) by Alophe

Background imageDancer Collection: Italian ballet dancer Carolina Rosati in Adolphe Adams ballet Le Corsaire at the Paris Opera

Italian ballet dancer Carolina Rosati in Adolphe Adams ballet Le Corsaire at the Paris Opera, 1856 (colour litho)
6032438 Italian ballet dancer Carolina Rosati in Adolphe Adams ballet Le Corsaire at the Paris Opera, 1856 (colour litho) by Alophe

Background imageDancer Collection: Enrica Varasi, prima ballerina in L Amour at the Alhambra Ballet, London (b / w photo)

Enrica Varasi, prima ballerina in L Amour at the Alhambra Ballet, London (b / w photo)
6032155 Enrica Varasi, prima ballerina in L Amour at the Alhambra Ballet, London (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Enrica Varasi)

Background imageDancer Collection: Tamara Karsavina, Russian prima ballerina, in a Ballets Russes production of Igor Stravinskys

Tamara Karsavina, Russian prima ballerina, in a Ballets Russes production of Igor Stravinskys ballet Petrushka
6031028 Tamara Karsavina, Russian prima ballerina, in a Ballets Russes production of Igor Stravinskys ballet Petrushka (b/w photo) by English Photographer

Background imageDancer Collection: Les Graces, Inconveniences in Quadrille Dancing, 1817 (etching

Les Graces, Inconveniences in Quadrille Dancing, 1817 (etching
4969080 Les Graces, Inconveniences in Quadrille Dancing, 1817 (etching, hand-coloured on wove paper) by Cruikshank, George (1792-1878); 20.7x31 cm; New York Public Library

Background imageDancer Collection: Cabaret, 1904 (colour litho)

Cabaret, 1904 (colour litho)
5208536 Cabaret, 1904 (colour litho) by Reznicek, Ferdinand von (1868-1909); Private Collection; (add.info.: Cabaret, 1904. Cartoon for the German satirical magazine Simplicissimus)

Background imageDancer Collection: English cartoon depicting male members of the audience captivated by a performance by

English cartoon depicting male members of the audience captivated by a performance by controversial French ballerina
5208534 English cartoon depicting male members of the audience captivated by a performance by controversial French ballerina Mademoiselle Parisot, 1802 (colour litho) by Newton

Background imageDancer Collection: The Little Dancer (oil on canvas)

The Little Dancer (oil on canvas)
5889214 The Little Dancer (oil on canvas) by Philpot, Glyn Warren (1884-1937); 143x115.1 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageDancer Collection: Design for Anna Pavlovas Costume of Columbine in Arlequinade

Design for Anna Pavlovas Costume of Columbine in Arlequinade
1217766 Design for Anna Pavlovas Costume of Columbine in Arlequinade, 1909 (graphite and watercolour on off-white paper) by Somov, Konstantin Andreevic (1869-1939); 30.6x21.8 cm; Ashmolean Museum

Background imageDancer Collection: Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite

Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite
1217595 Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite, corrected in white bodycolour on fine-textured off-white paper) by Bakst

Background imageDancer Collection: Dancer Looking at the Sole of her Right Foot, 1896-1897 (bronze)

Dancer Looking at the Sole of her Right Foot, 1896-1897 (bronze)
500447 Dancer Looking at the Sole of her Right Foot, 1896-1897 (bronze) by Degas, Edgar (1834-1917); h:46.35 w:21.59 d:20.32 cm; Cleveland Museum of Art, OH

Background imageDancer Collection: Kashmiri Nautch Girls, c. 1860s (b / w photo)

Kashmiri Nautch Girls, c. 1860s (b / w photo)
498658 Kashmiri Nautch Girls, c.1860s (b/w photo) by British Photographer, (19th century); Private Collection; (add.info.: Performers of the traditional Indian Nautch dances.); British

Background imageDancer Collection: Portrait of a Nautch Girl, c. 1860s (b / w photo)

Portrait of a Nautch Girl, c. 1860s (b / w photo)
498630 Portrait of a Nautch Girl, c.1860s (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Dancer of the popular Indian Nautch dances.); out of copyright

Background imageDancer Collection: Self-portrait, imposed on preliminary studies for two canephori of the Steccata

Self-portrait, imposed on preliminary studies for two canephori of the Steccata
615254 Self-portrait, imposed on preliminary studies for two canephori of the Steccata (pen & brown ink on white paper) by Parmigianino (Francesco Mazzola) (1503-40)

Background imageDancer Collection: A girl dancing the Kuharwa, from The Costume, Character, Manners

A girl dancing the Kuharwa, from The Costume, Character, Manners
619397 A girl dancing the Kuharwa, from The Costume, Character, Manners, Domestic Habits and Religious Ceremonies of the Mahrattas by T. D. Broughton, etching by J. A

Background imageDancer Collection: Dancer with finger on chin (plaster) (detail) (see also 698750)

Dancer with finger on chin (plaster) (detail) (see also 698750)
698751 Dancer with finger on chin (plaster) (detail) (see also 698750) by Canova, Antonio (1757-1822) (after); BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts

Background imageDancer Collection: La Camargo, 1760 (coloured engraving)

La Camargo, 1760 (coloured engraving)
971841 La Camargo, 1760 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: La Camargo, 1760)

Background imageDancer Collection: The Persian Swordsman and Dancer (b / w photo)

The Persian Swordsman and Dancer (b / w photo)
958630 The Persian Swordsman and Dancer (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: The Persian Swordsman and Dancer)

Background imageDancer Collection: Tibetan and Kashmiri costumes, 19th Century (coloured engraving)

Tibetan and Kashmiri costumes, 19th Century (coloured engraving)
968822 Tibetan and Kashmiri costumes, 19th Century (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Tibetan and Kashmiri costumes, 19th Century)

Background imageDancer Collection: Ceylonese costumes, 1880 (coloured engraving)

Ceylonese costumes, 1880 (coloured engraving)
968810 Ceylonese costumes, 1880 (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Ceylonese costumes, 1880)

Background imageDancer Collection: Nijinski, danseur russe (coloured photo)

Nijinski, danseur russe (coloured photo)
975195 Nijinski, danseur russe (coloured photo) by French School, (19th century); Private Collection; (add.info.: Nijinski, danseur russe)

Background imageDancer Collection: Dancer on Stage, Taking Her Bow, 1891-92 (aquatint & soft-ground etching)

Dancer on Stage, Taking Her Bow, 1891-92 (aquatint & soft-ground etching)
1067446 Dancer on Stage, Taking Her Bow, 1891-92 (aquatint & soft-ground etching) by Degas, Edgar (1834-1917); 13.3x8.3 cm; Dallas Museum of Art, Texas, USA; (add.info.: Danceuse sur scAne)

Background imageDancer Collection: Dance in the Countryside, c. 1890 (soft ground etching)

Dance in the Countryside, c. 1890 (soft ground etching)
1071602 Dance in the Countryside, c.1890 (soft ground etching) by Renoir, Pierre Auguste (1841-1919); 21.9x13.3 cm; Dallas Museum of Art, Texas

Background imageDancer Collection: The Dancing Picture, c. 1532, pub. 1902 (collotype)

The Dancing Picture, c. 1532, pub. 1902 (collotype)
1073613 The Dancing Picture, c.1532, pub. 1902 (collotype) by English School, (16th century) (after); Private Collection; The Stapleton Collection; English, out of copyright

Background imageDancer Collection: Ball in the Parc de Saint-Cloud, 1760 (engraving)

Ball in the Parc de Saint-Cloud, 1760 (engraving)
992374 Ball in the Parc de Saint-Cloud, 1760 (engraving) by Fessard, Etienne (1714-77); Bibliotheque Nationale, Paris, France; (add.info.: Engraved after Poussin)

Background imageDancer Collection: May Ball at Versailles during the Carnival of 1763 (engraving)

May Ball at Versailles during the Carnival of 1763 (engraving)
992373 May Ball at Versailles during the Carnival of 1763 (engraving) by Martinet, Francois Nicolas (1731-1800); Bibliotheque Nationale, Paris

Background imageDancer Collection: La Troupe de Mademoiselle Eglantine, 1895 (brush, crayon and spatter litho)

La Troupe de Mademoiselle Eglantine, 1895 (brush, crayon and spatter litho, printed in four colours on paper)
995917 La Troupe de Mademoiselle Eglantine, 1895 (brush, crayon and spatter litho, printed in four colours on paper) by Toulouse-Lautrec, Henri de (1864-1901); 61.7x80.4 cm; Art Gallery of Ontario

Background imageDancer Collection: Dance of Nahikai (engraving)

Dance of Nahikai (engraving)
980448 Dance of Nahikai (engraving) by American School, (19th century) (after); Private Collection; (add.info.: Dance of Nahikai)

Background imageDancer Collection: The Dream, 1891 (colour litho)

The Dream, 1891 (colour litho)
874709 The Dream, 1891 (colour litho) by Steinlen, Theophile Alexandre (1859-1923); 83.5 x63.5 cm; San Diego Museum of Art, USA; eSan Diego Museum of Art; Gift of Hugh and Jean Stewart; Swiss

Background imageDancer Collection: Advertisement for Grand Ballet production of Brighton

Advertisement for Grand Ballet production of Brighton
870121 Advertisement for Grand Ballet production of Brighton at the Olympia (colour litho) by French School; Private Collection; (add.info.: Olympia music Hall in Paris)

Background imageDancer Collection: Two Dancers, c. 1878-79 (aquatint & drypoint on paper)

Two Dancers, c. 1878-79 (aquatint & drypoint on paper)
877220 Two Dancers, c.1878-79 (aquatint & drypoint on paper) by Degas, Edgar (1834-1917); 35.6x45.7 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageDancer Collection: Portrait of Carlotta Grisi (b / w photo)

Portrait of Carlotta Grisi (b / w photo)
888674 Portrait of Carlotta Grisi (b/w photo) by Loriot (19th-20th century); Archives Larousse, Paris, France; (add.info)

Background imageDancer Collection: Le Cafe Concert, 1896 (etching)

Le Cafe Concert, 1896 (etching)
863204 Le CafeConcertA, 1896 (etching) by Rysselberghe, Theo van (1862-1926); 29.2x24.8 cm; Private Collection; (add.info)

Background imageDancer Collection: A scene from the first performance of Tchaikovskys ballet

A scene from the first performance of Tchaikovskys ballet
BCC465277 A scene from the first performance of Tchaikovskys ballet The Sleeping Beauty at the Mariinsky Theatre, with Karlotta Brianza in the part of Aurora

Background imageDancer Collection: Poster advertising the Concert des Ambassadeurs, 1884 (colour litho)

Poster advertising the Concert des Ambassadeurs, 1884 (colour litho)
485252 Poster advertising the Concert des Ambassadeurs, 1884 (colour litho) by Cheret, Jules (1836-1932); Private Collection; (add.info.: Cafe des Ambassadeurs, on the Avenue Gabriel, Champs-Elysees)



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"Dancer: The Art of Movement and Expression" From the elegant grace of Ginger Rogers dancing with her partner Fred Astaire to the ethereal beauty of Anna Pavlova performing Swan Lake, the world of dance is a mesmerizing realm where emotions are conveyed through every step. Witnessing an Arab girl effortlessly gliding across the floor, captivating audiences with her fluid movements, reminds us that dance transcends borders and cultures. Similarly, Rudolf Nureyev and Margot Fonteyn's enchanting rendition of Swan Lake showcases their unparalleled chemistry and skill. The dynamic duo Margot Fonteyn and Rudolph Nureyev leave spectators in awe as they flawlessly execute intricate routines that seem to defy gravity. Their partnership epitomizes the magic created when two dancers connect on a profound level. Ginger Rogers and Fred Astaire's iconic collaboration has left an indelible mark on dance history. With their impeccable synchronization and undeniable charm, they set new standards for elegance in motion. Traveling to Algeria unveils the captivating allure of Moorish belly dancers who bewitch with every twist and turn. Their rhythmic undulations evoke a sense of mystery while celebrating centuries-old traditions. Kay Nielsen's illustration "The Chariot" captures the essence of movement frozen in time - a testament to how art can encapsulate both power and grace simultaneously. Fred Astaire's timeless performance in Mark Sandrichs' Top Hat (1935) showcases his unmatched talent for seamlessly fusing music, rhythm, and style into one unforgettable experience. On Dance magazine's January 1929 cover lies a glimpse into an era where dance was at its zenith; it serves as a reminder that this art form has always been cherished throughout history. Originating from Argentina in 1912, Tango embodies passion like no other dance genre. Its sensual embrace between partners tells stories without uttering any words – only through movement do emotions come alive.