Berrettini Collection

Self portrait of Pietro Berrettini or Da Cortona
5854990 Self portrait of Pietro Berrettini or Da Cortona; (add.info.: Self portrait of Pietro Berrettini or Da Cortona (1596-1669), Italian history and landscape artist

Pietro da Cortona (oil on canvas)
ALI277394 Pietro da Cortona (oil on canvas) by Italian School, (17th century); Private Collection; (add.info.: Pietro da Cortona (1596-1669); ); Alinari

The Head of Pope Urban VIII (recto), (black and white chalk on light brown paper)
827547 The Head of Pope Urban VIII (recto), (black and white chalk on light brown paper) by Cortona, Pietro da (Berrettini) (1596-1669); 40x24.5

The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum, ca. 1662

Faith, Hope, and Charity, 1630?-78. Creator: Dominique Barriere
Faith, Hope, and Charity, 1630?-78

Title page to Galleria Dipinta nel Palazzo del Prencipe Panfilio after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome, ca. 1661

Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter s
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peters Basilica, 1652

Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner. 17th century

Drawings Prints, Print, Minerva, depicted, top, shield, arrow, vanquishing, Giants
Drawings and Prints, Print, Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix, Barberinae aulae fornix, Artist, Publisher, Dedicatee, Artist

Wind God 1669 Black chalk highlighted white brownish paper
Artokoloro

Study Age Bronze 1637 Pen brown ink black chalk
Artokoloro

Study Age Bronze 1637 Pen brown ink brush wash
Artokoloro

Study Seated Youth Age Gold 1637 Black chalk
Artokoloro

Design Eagle Fighting Serpent Putto Sky Holding
Artokoloro

God Father Angels Holding Symbols Passion 1647-51
Artokoloro

Sea Battle 1596-1669 Brush brown wash 4 3 / 4 x 7 1 / 16in
Artokoloro

Triumph Nature Art design engraving De Florum Cultura
Artokoloro

Satyrs Supporting Ornamental Motif 1596-1669
Artokoloro

Study Allegory Religion 1629-39 Red chalk 4 13 / 16 x 7 1 / 16in
Artokoloro

Landscape Wine Harvest ca 1630 Brush gray wash
Artokoloro

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Berrettini, also known as Pietro da Cortona, was a renowned Italian artist who left an indelible mark on the world of art. His masterpiece "The Head of Pope Urban VIII" showcases his exceptional talent in capturing the intricacies and nuances of human expressions with black and white chalk on light brown paper. In another awe-inspiring creation, Berrettini portrays "The Holy Trinity with Saint Michael vanquishing a six-headed dragon. " This frontispiece to Faith, Hope, and Charity is a testament to his mastery in depicting religious themes that evoke profound emotions within viewers. One cannot overlook Berrettini's contribution to architectural design as well. The title page to Galleria Dipinta nel Palazzo del Prencipe Panfilio exemplifies his ability to harmoniously blend art and architecture into one cohesive entity. The ceiling frescoes are nothing short of breathtaking. Through his study for "Angels Sealing the Foreheads of the Children of Israel in Saint Peter's, " Berrettini demonstrates his attention to detail and dedication to perfection. Every stroke reveals his commitment towards creating ethereal beauty that transcends time. Not limited by any medium, Berrettini explores various forms of artistry. In "Design with an Eagle Fighting with a Serpent, " he skillfully captures the intensity and dynamism between these powerful creatures while incorporating a putto holding them together in harmony. His prints further showcase his versatility as an artist. In "Minerva depicted at the top, " we witness her wielding her shield and arrow while vanquishing giants – symbolizing wisdom triumphing over adversity. Berrettini's drawings reveal not only technical prowess but also depth in storytelling. With works like "Wind God 1669" or "Study Age Bronze 1637, " he brings life-like figures onto paper using black chalk highlighted with white or pen ink combined with brush wash techniques.