1596 1669 Collection

Self portrait of Pietro Berrettini or Da Cortona
5854990 Self portrait of Pietro Berrettini or Da Cortona; (add.info.: Self portrait of Pietro Berrettini or Da Cortona (1596-1669), Italian history and landscape artist

Sketch for Lot and His Daughters, 1600s. Creator: Pietro da Cortona (Italian, 1596-1669)
Sketch for Lot and His Daughters, 1600s

Study for the Head of St. Michael, 1633. Creator: Pietro da Cortona (Italian, 1596-1669)
Study for the Head of St. Michael, 1633. Pietro da Cortona drew this angelically beautiful face in a style reminiscent of the work of Renaissance master Raphael (1483-1520)

The Idolatry of Solomon, 1622-1623. Creator: Pietro da Cortona (Italian, 1596-1669)
The Idolatry of Solomon, 1622-1623. The Idolatry of Solomon represents Solomons worship of idols caused by his love of many foreign women who turned " away his heart to follow their gods"

Lot and His Daughters, 1600s. Creator: Pietro da Cortona (Italian, 1596-1669), circle of
Lot and His Daughters, 1600s

Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s. Creator
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s

Bacchanal, 1600s. Creator: Pietro da Cortona (Italian, 1596-1669), circle of
Bacchanal, 1600s

Plate 11 Tabulae anatomicae Petrioli Gaetano
Plate 11, Tabulae anatomicae, Petrioli, Gaetano, Pietro, da Cortona, 1596-1669, Engraving, 1741

Plate 20 Tabulae anatomicae Petrioli Gaetano
Plate 20, Tabulae anatomicae, Petrioli, Gaetano, Pietro, da Cortona, 1596-1669, Engraving, 1741

Plate 19 Tabulae anatomicae Petrioli Gaetano
Plate 19, Tabulae anatomicae, Petrioli, Gaetano, Pietro, da Cortona, 1596-1669, Engraving, 1741

Spaccato della Chiesa di Santa Maria della Pace de Canonici Regolari Lateranensi, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con

Sketch Lot Daughters 1600s Circle Pietro da Cortona
Sketch for Lot and His Daughters, 1600s. Circle of Pietro da Cortona (Italian, 1596-1669). Black chalk(?); sheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)

Lot Daughters 1600s Circle Pietro da Cortona
Lot and His Daughters, 1600s. Circle of Pietro da Cortona (Italian, 1596-1669). Pen and brown ink over black chalk(?), heightened with traces of white gouache; sheet

Bacchanal 1600s Circle Pietro da Cortona Italian
Bacchanal, 1600s. Circle of Pietro da Cortona (Italian, 1596-1669). Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised

Study Head st. Michael 1633 Pietro da Cortona
Study for the Head of St. Michael, 1633. Pietro da Cortona (Italian, 1596-1669). Black chalk; sheet: 19 x 16.8 cm (7 1/2 x 6 5/8 in.); secondary support: 31.9 x 27.6 cm (12 9/16 x 10 7/8 in.)

Lot Daughters recto Sketch verso 1600s Circle
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s. Circle of Pietro da Cortona (Italian, 1596-1669)

Christ Appearing Mary Garden 1766 Engraving sheet
Artokoloro

allegorical composition Charity prisoners chains
Artokoloro

Allegory Honor Roman College Founded Borghese Family
Artokoloro

Garden Venus reclines centre term Pan surrounded
Artokoloro

Leaf Aedes Walpolianae mounted two prints Three Soldiers
Artokoloro

Diana Chariot La Lune sur son char 1633 Engraving
Artokoloro

holy trinity Saint Michael vanquishing six-headed dragon
Artokoloro

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"Pietro da Cortona: A Master of Artistic Expression from 1596 to 1669" Step into the captivating world of Pietro da Cortona, an Italian artist whose talent spanned the late 16th and mid-17th centuries. With a keen eye for detail and a profound understanding of human anatomy, da Cortona's artwork continues to mesmerize audiences even today. One such masterpiece is "Sketch for Lot and His Daughters, " created in the early 1600s. In this sketch, da Cortona captures the emotional turmoil within this biblical tale with remarkable precision. The intricate lines and delicate shading bring forth a sense of drama that leaves viewers spellbound. Another notable work by da Cortona is "Study for the Head of St. Michael. " Painted in 1633, this study showcases his exceptional ability to breathe life into his subjects. Through meticulous brushstrokes, he portrays St. Michael's strength and determination as he prepares to battle evil forces. "The Idolatry of Solomon" stands as yet another testament to da Cortona's artistic prowess. Created between 1622-1623, this piece delves into biblical themes once again but with a unique twist. The artist skillfully depicts Solomon's struggle with temptation through vivid colors and dynamic compositions. In addition to religious subjects, da Cortona also explored mythological scenes like "Bacchanal. " Although attributed to him indirectly through his circle, it still exudes his unmistakable style - vibrant colors dancing across the canvas, capturing the wild revelry associated with Bacchus. Beyond painting, Pietro da Cortona ventured into other realms as well. He collaborated on anatomical illustrations alongside Petrioli Gaetano in their groundbreaking work titled "Tabulae anatomicae. " These plates provide invaluable insights into human anatomy during that era while showcasing both artists' technical expertise.