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The Theatrical Steel-Yards of 1750, 1741 (engraving)
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The Theatrical Steel-Yards of 1750, 1741 (engraving)
DEC418513 The Theatrical Steel-Yards of 1750, 1741 (engraving) by O Brian, Patrick (fl.1751); 39.1x25.8 cm; Gerald Coke Handel Collection, Foundling Museum, London; (add.info.: David Garrick (1717-79) English actor; Margaret Peg Woffington (1720-60) Irish actress; George Anne Bellamy (1727-88) English actress; Susannah Maria Cibber (1714-66) English singer and actress; James Quin (1693-1766) English actor; John Rich (1692-1761) English theatre director, manager and producer; Spranger Barry (1719-77) Irish actor; Harry Woodward, British actor; Cibber, Barry, Quin and Woffington on one end of scales (yard of steel) weighed down at the other end by Garrick; riband inscribed Totus Mundus agit histrionem ; All the worlds a stage; below, Woodward as Harlequin, and Bellamy; Rich lies on the ground sobbing into a handkerchief; possibly from Political & Personal Satire by Grace; ); eGerald Coke Handel Collection, Foundling Museum; British, out of copyright
Media ID 23490988
© Gerald Coke Handel Collection, Foundling Museum / Bridgeman Images
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The Theatrical Steel-Yards of 1750,1741
EDITORS COMMENTS
is a captivating engraving that offers a glimpse into the vibrant world of eighteenth-century theater. This remarkable print showcases some of the era's most renowned actors and actresses, immortalizing their talent and influence. At one end of the scales, we see an array of theatrical giants including David Garrick, Margaret Peg Woffington, George Anne Bellamy, Susannah Maria Cibber, James Quin, John Rich, Spranger Barry, and Harry Woodward. These luminaries represent the pinnacle of stagecraft during this period. The intricate details in this artwork are truly mesmerizing. The riband inscribed with "Totus Mundus agit histrionem" meaning "All the worlds a stage" serves as a powerful reminder that life itself is akin to a grand performance. Beneath this profound message lies another layer of symbolism. We witness Woodward embodying Harlequin while Bellamy stands beside him. Their presence adds an element of whimsy and charm to this otherwise weighty scene. However, amidst all the glamour and theatrics lies Rich on the ground sobbing into his handkerchief. This poignant image hints at both personal struggles and professional rivalries that were prevalent within London's theater scene at that time. "The Theatrical Steel-Yards" not only captures a specific moment in history but also encapsulates universal themes such as ambition, passion for artistry, and human vulnerability. It serves as a testament to the enduring power of theater in shaping society and reflecting our shared experiences on life's grand stage.
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