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Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807

Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807


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Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807

FLO4679173 Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.; (add.info.: Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.); © Florilegius

Media ID 38326160

© © Florilegius / Bridgeman Images

Comic Scene Eau Forte Etching Groans Internship John Augustus Atkinson Miseries Racine Root Voice Bajazet Regency


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > John Atkinson

> Arts > Artists > A > John Augustus Atkinson

> Arts > Artists > A > William Atkinson

> Arts > Artists > J > Augustus John

> Arts > Artists > M > John Miller

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Towns > Ham

> Fine Art Finder > Artists > Antoni Gaudi


EDITORS COMMENTS
In this etching by John Augustus Atkinson, we are transported back to the Regency era and into a theatre where a performance of Racine's Bajazet is taking place. The scene captures the essence of human folly as we witness a bad actor with a weak voice attempting to bring the character to life on stage. Atkinson's skillful hand has beautifully captured the expressions of dismay and disappointment on the faces of the audience members, who are clearly unimpressed by the lackluster performance before them. The exaggerated gestures and caricatured features add an element of humor to this otherwise somber portrayal of miseries in human life. As we gaze upon this handcoloured copperplate engraving, we can almost hear the groans and whispers of discontent emanating from the crowd. It serves as a reminder that even in moments of entertainment, there can be moments of disappointment and frustration. This print from Illustrations of the Miseries of Human Life is not just a reflection on bad acting but also a commentary on society at large. It reminds us that even in our pursuit of pleasure, there can be instances where expectations fall short. Atkinson's work continues to resonate with viewers centuries later, capturing timeless truths about human nature through his artistry.

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