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Regency nobles and liveried servants helping fainting women in the crush at a party in the Circuluar dining room in the Prince Regent's Carlton Palace. The Circular Room or a Squeeze at Carlton Palace
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Regency nobles and liveried servants helping fainting women in the crush at a party in the Circuluar dining room in the Prince Regent's Carlton Palace. The Circular Room or a Squeeze at Carlton Palace
FLO4619181 Regency nobles and liveried servants helping fainting women in the crush at a party in the Circuluar dining room in the Prince Regent's Carlton Palace. The Circular Room or a Squeeze at Carlton Palace. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.; (add.info.: Regency nobles and liveried servants helping fainting women in the crush at a party in the Circuluar dining room in the Prince Regent's Carlton Palace. The Circular Room or a Squeeze at Carlton Palace. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.); © Florilegius
Media ID 38253464
© © Florilegius / Bridgeman Images
Angleterre Bernard Blackmantle Candlestick Carlton House Charles Molloy Westmacott Crush Drapes Fainting Hussar Lumiere Lustre Prince Regent Robert Cruikshank The English Spy Allemagne Grande Bretagne Regency
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EDITORS COMMENTS
This print captures the chaos and elegance of a Regency party at Carlton Palace, where nobles and liveried servants come to the aid of fainting women in the crush of the Circular dining room. The scene is alive with movement and emotion, as guests jostle for space amidst flickering candlelight and billowing drapes.
The artist, Robert Cruikshank, skillfully conveys the opulence and extravagance of Prince Regent's court through his detailed hand-colored copperplate engraving. Every figure is meticulously rendered, from the finely dressed nobles to the harried servants rushing to assist their fallen charges.
Written by Bernard Blackmantle (a pseudonym for Charles Molloy Westmacott), this image is not just a snapshot of a historical moment but a satirical commentary on the excesses and frivolity of Regency society. The exaggerated expressions and gestures of the characters hint at deeper social critiques beneath the surface glamour.
As we gaze upon this scene from another era, we are transported back in time to witness firsthand the drama and spectacle of high society in 19th century England. It serves as a reminder that even amid grandeur and luxury, human emotions and vulnerabilities remain unchanged across centuries.
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