Francisco Goya Collection (#7)

1,696 Items

Francisco Goya Collection: Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)

Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)
1109266 Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 127x101.6 cm; Metropolitan Museum of Art, New York

Francisco Goya Collection: Buen Viage (Safe trip). Wing Monsters. c. 1802 (engraving)

Buen Viage (Safe trip). Wing Monsters. c. 1802 (engraving)
1856385 Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Buen Viage (Safe trip!). Monstres ailes

Francisco Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)

GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)
CUL4870263 GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda

Francisco Goya Collection: monsters, engraving 1797-1799

monsters, engraving 1797-1799
1794081 monsters, engraving 1797-1799 by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: monsters, spanish engraving by Goya series of the "Whims (Los Caprichos)" in 1797-1799

Francisco Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25)

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

Francisco Goya Collection: The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas)

The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas)
7294373 The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas) by Goya, Francisco Jose de (1746-1828) (school of); Fondazione Magnani-Rocca, Parma

Francisco Goya Collection: GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

Francisco Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

Francisco Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

Francisco Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)

GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)
CUL4871908 GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. 1816. (24.9 x 35.7 cm)

Francisco Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)
CUL4877269 GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm). Plate 80 of " Los Caprichos", etching, burnished aquatint, drypoint and chisel. Romanticism

Francisco Goya Collection: Pretty Teacher. 1793-1799 (aquatint)

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

Francisco Goya Collection: 'Linda maestria' witches ona broom, c. 1802 (engraving)

"Linda maestria" witches ona broom, c. 1802 (engraving)
1802400 "Linda maestria" witches ona broom, c. 1802 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: "Linda maestria" witches ona broom)

Francisco Goya Collection: Portrait of King Ferdinand VII, detail, 1814 (oil on canvas)

Portrait of King Ferdinand VII, detail, 1814 (oil on canvas)
CUL4933289 Portrait of King Ferdinand VII, detail, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 207x140 cm; (add.info.: By GOYA Y LUCIENTES)

Francisco Goya Collection: Night Scene from the Inquisition, c. 1810 (oil on wood)

Night Scene from the Inquisition, c. 1810 (oil on wood)
7305498 Night Scene from the Inquisition, c.1810 (oil on wood) by Goya y Lucientes, Francisco Jose de (1746-1828); 30.1x40 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Goya (1746-1828))

Francisco Goya Collection: Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)

Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)
7305247 Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Francisco Goya Collection: Self-portrait with glasses, around 1800 (oil on canvas)

Self-portrait with glasses, around 1800 (oil on canvas)
7305246 Self-portrait with glasses, around 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Francisco Goya Collection: Family of spanish king Carlos IV, detail, 1801 (painting)

Family of spanish king Carlos IV, detail, 1801 (painting)
1760508 Family of spanish king Carlos IV, detail, 1801 (painting) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Family of spanish king Carlos IV)

Francisco Goya Collection: Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink)

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Francisco Goya Collection: 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)
IND82116 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.9 cm; Private Collection; Index Fototeca

Francisco Goya Collection: Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)

Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)
IND82115 Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.7 cm; Private Collection; Index Fototeca

Francisco Goya Collection: Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)

Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)
IND82104 Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Francisco Goya Collection: They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)

They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)
IND81925 They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x35.7 cm; Private Collection; Index Fototeca

Francisco Goya Collection: The Moors use donkeys as a barrier to defend themselves against the bull

The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls
IND81917 The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls, plate 17 of The Art of Bullfighting, pub

Francisco Goya Collection: The very skilful student of Falces (b. 1709) wrapped in his cape

The very skilful student of Falces (b. 1709) wrapped in his cape, tricks the bull with the play of his body
IND81914 The very skilful student of Falces (b.1709) wrapped in his cape, tricks the bull with the play of his body, plate 14 of The Art of Bullfighting, pub

Francisco Goya Collection: The Bullfight

The Bullfight
IND36757 The Bullfight by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid, Spain; Index Fototeca

Francisco Goya Collection: 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)
IND82118 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.4x35.8 cm; Private Collection; Index Fototeca

193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)
IND82117 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Francisco Goya Collection: Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)

Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)
IND82114 Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.7 cm; Private Collection; Index Fototeca

Francisco Goya Collection: The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid

The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid
IND81924 The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid, plate 24 of The Art of Bullfighting, pub

Francisco Goya Collection: Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)

Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)
LRI4606740 Destres of the war: Vaines complaints (preparatory drawing, 1810-1820) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Francisco Goya Collection: Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Francisco Goya Collection: Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58)

Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid
IND81910 Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid, plate 10 of The Art of Bullfighting, pub

Francisco Goya Collection: The Tyrant: Portrait of the Actress Rosario Fernandez

The Tyrant: Portrait of the Actress Rosario Fernandez
IND54189 The Tyrant: Portrait of the Actress Rosario Fernandez by Goya y Lucientes, Francisco Jose de (1746-1828); 2, 06 x 1, 30 cm; Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya Collection: The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes

The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun
JLJ4974507 The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun

Francisco Goya Collection: Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching)

Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching)
IND81930 Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Francisco Goya Collection: The famous Martincho (probably Antonio Ebassum) places the banderillas

The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body
IND81915 The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub

Francisco Goya Collection: A Spanish mounted knight in the ring breaking short spears without the help of assistants

A Spanish mounted knight in the ring breaking short spears without the help of assistants
IND81913 A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of The Art of Bullfighting, pub

Francisco Goya Collection: Court of the Inquisition (engraving)

Court of the Inquisition (engraving)
IND52912 Court of the Inquisition (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Real Academia de Bellas Artes de San Fernando, Madrid, Spain; Index Fototeca

Francisco Goya Collection: Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching)

Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching)
IND81929 Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Francisco Goya Collection: Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching)

Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching)
IND81900 Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; Index Fototeca

Francisco Goya Collection: The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)

The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)
IND81689 The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.6 cm; Private Collection; Index Fototeca

Francisco Goya Collection: Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving)

Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving)
XOS5866434 Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.2x34.7 cm; Cleveland Museum of Art, OH, USA

Francisco Goya Collection: The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa

The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub
IND81918 The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub

Francisco Goya Collection: A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting

A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching)
IND81909 A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Francisco Goya Collection: They (the Moors) play another bull with the cape in an enclosure

They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub
IND81904 They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Francisco Goya Collection: The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid

The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid
IND81916 The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid, plate 16 of The Art of Bullfighting, pub

Francisco Goya Collection: The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid

The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid
IND81928 The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid, plate 28 of The Art of Bullfighting, pub

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