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Turn Collection (#10)

"Turning the Tide: From Healing to Heroism, Landscapes to Fire Stations" Witnessing Jesus' miraculous turn as he heals the sick with compassion and grace

Background imageTurn Collection: Venezia, Lido, Grand Hotel Excelsior (b / w photo)

Venezia, Lido, Grand Hotel Excelsior (b / w photo)
6012958 Venezia, Lido, Grand Hotel Excelsior (b/w photo) by Italian Photographer, (19th century); Private Collection; (add.info.: Venezia, Lido, Grand Hotel Excelsior)

Background imageTurn Collection: Ruth gleaning, Ruth II, ver 8 (engraving)

Ruth gleaning, Ruth II, ver 8 (engraving)
6021716 Ruth gleaning, Ruth II, ver 8 (engraving) by English School, (19th century); Private Collection; (add.info.: Ruth gleaning, Ruth II, ver 8)

Background imageTurn Collection: Father said turn and we all turned (colour litho)

Father said turn and we all turned (colour litho)
3102371 Father said turn and we all turned (colour litho) by English School, (20th century); Private Collection; (add.info.: Father said turn and we all turned)

Background imageTurn Collection: The turn out of the season (engraving)

The turn out of the season (engraving)
607381 The turn out of the season (engraving) by English School, (19th century); Private Collection; (add.info.: The turn out of the season; published October 1839)

Background imageTurn Collection: The De Tourville Trial, Sketches in the Tyrol (engraving)

The De Tourville Trial, Sketches in the Tyrol (engraving)
1049580 The De Tourville Trial, Sketches in the Tyrol (engraving) by English School, (19th century); Private Collection; (add.info.: The De Tourville Trial, Sketches in the Tyrol)

Background imageTurn Collection: The Story of an Auto-Motor Car (engraving)

The Story of an Auto-Motor Car (engraving)
1051204 The Story of an Auto-Motor Car (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: The Story of an Auto-Motor Car)

Background imageTurn Collection: Holiday Sketches at Margate and Ramsgate (engraving)

Holiday Sketches at Margate and Ramsgate (engraving)
1107443 Holiday Sketches at Margate and Ramsgate (engraving) by Courbould, Alfred (fl.1831-75); Private Collection; (add.info.: Holiday Sketches at Margate and Ramsgate)

Background imageTurn Collection: South Africa, Life in the Natal Mounted Police (engraving)

South Africa, Life in the Natal Mounted Police (engraving)
1060502 South Africa, Life in the Natal Mounted Police (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: South Africa, Life in the Natal Mounted Police)

Background imageTurn Collection: A 'Free and Easy'on Board HM Training Ship 'Boscawen'(engraving)

A "Free and Easy"on Board HM Training Ship "Boscawen"(engraving)
1060474 A " Free and Easy" on Board HM Training Ship " Boscawen" (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info)

Background imageTurn Collection: A Days Coursing on the Downs at Plumpton (engraving)

A Days Coursing on the Downs at Plumpton (engraving)
1060019 A Days Coursing on the Downs at Plumpton (engraving) by English School, (19th century); Private Collection; (add.info.: A Days Coursing on the Downs at Plumpton)

Background imageTurn Collection: The Paris Salon, Last Day for the Reception of Pictures (engraving)

The Paris Salon, Last Day for the Reception of Pictures (engraving)
1057800 The Paris Salon, Last Day for the Reception of Pictures (engraving) by English School, (19th century); Private Collection; (add.info.: The Paris Salon, Last Day for the Reception of Pictures)

Background imageTurn Collection: A 'Six Bells'Drink, a Thirsty Officers Brilliant Idea and what came of it (engraving)

A "Six Bells"Drink, a Thirsty Officers Brilliant Idea and what came of it (engraving)
1056693 A " Six Bells" Drink, a Thirsty Officers Brilliant Idea and what came of it (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info)

Background imageTurn Collection: Life on Board HM Training Ship 'Exmouth'(engraving)

Life on Board HM Training Ship "Exmouth"(engraving)
1060904 Life on Board HM Training Ship " Exmouth" (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info)

Background imageTurn Collection: Hunting on Foot (engraving)

Hunting on Foot (engraving)
1062167 Hunting on Foot (engraving) by English School, (19th century); Private Collection; (add.info.: Hunting on Foot. Illustration for The Graphic)

Background imageTurn Collection: Charles I does not know which Way to Turn (engraving)

Charles I does not know which Way to Turn (engraving)
670616 Charles I does not know which Way to Turn (engraving) by Leech, John (1817-64); Private Collection; (add.info.: Charles I does not know which Way to Turn)

Background imageTurn Collection: Dancers at a ball doing a turn in a waltz, 1798 (handcoloured copperplate engraving)

Dancers at a ball doing a turn in a waltz, 1798 (handcoloured copperplate engraving)
5986571 Dancers at a ball doing a turn in a waltz, 1798 (handcoloured copperplate engraving) by French School, (18th century); (add.info.: Dancers at a ball doing a turn in a waltz, 1798)

Background imageTurn Collection: Venezia, L Arsenale (b / w photo)

Venezia, L Arsenale (b / w photo)
6012953 Venezia, L Arsenale (b/w photo) by Italian Photographer, (19th century); Private Collection; (add.info.: Venezia, L Arsenale. Illustration for Ricordo di Venezia (np, c 1900)

Background imageTurn Collection: Venezia, Rio Priuli (b / w photo)

Venezia, Rio Priuli (b / w photo)
6012952 Venezia, Rio Priuli (b/w photo) by Italian Photographer, (19th century); Private Collection; (add.info.: Venezia, Rio Priuli. Illustration for Ricordo di Venezia (np, c 1900)

Background imageTurn Collection: Gorleston (b / w photo)

Gorleston (b / w photo)
6013007 Gorleston (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Gorleston. Illustration for Photographic View Album of Yarmouth and District (Valentine)

Background imageTurn Collection: Gorleston Harbour (b / w photo)

Gorleston Harbour (b / w photo)
6013003 Gorleston Harbour (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Gorleston Harbour)

Background imageTurn Collection: North Esplanade and Tower (b / w photo)

North Esplanade and Tower (b / w photo)
6012995 North Esplanade and Tower (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: North Esplanade and Tower)

Background imageTurn Collection: Beach and Tower, looking North from Britannia Pier (b / w photo)

Beach and Tower, looking North from Britannia Pier (b / w photo)
6012990 Beach and Tower, looking North from Britannia Pier (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Beach and Tower, looking North from Britannia Pier)

Background imageTurn Collection: A Race Meeting in Jamaica (engraving)

A Race Meeting in Jamaica (engraving)
1616150 A Race Meeting in Jamaica (engraving) by Dadd, Frank (1851-1929) (after); Private Collection; (add.info.: A Race Meeting in Jamaica)

Background imageTurn Collection: The Turn of the Tide (engraving)

The Turn of the Tide (engraving)
1590454 The Turn of the Tide (engraving) by Knowles, Davidson (fl.1879-96) (after); Private Collection; (add.info.: The Turn of the Tide. Illustration for The Illustrated London News, 18 June 1881)

Background imageTurn Collection: Plate 723. Lion; Walking, Turning Around, 1885 (collotype on paper)

Plate 723. Lion; Walking, Turning Around, 1885 (collotype on paper)
3950699 Plate 723. Lion; Walking, Turning Around, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.8x36.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageTurn Collection: Plate 100. Turning and Ascending Stairs, 1885 (collotype on paper)

Plate 100. Turning and Ascending Stairs, 1885 (collotype on paper)
3950448 Plate 100. Turning and Ascending Stairs, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 45.7x58.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageTurn Collection: Plate 481. Child, Lifting a Doll, Turning, and Walking Off, 1885 (collotype on paper)

Plate 481. Child, Lifting a Doll, Turning, and Walking Off, 1885 (collotype on paper)
3950429 Plate 481. Child, Lifting a Doll, Turning, and Walking Off, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.9x38.3 cm; Addison Gallery of American Art, Phillips Academy

Background imageTurn Collection: Plate 235. Turning & Removing Water Jar from Shoulder to Ground

Plate 235. Turning & Removing Water Jar from Shoulder to Ground
3950211 Plate 235. Turning & Removing Water Jar from Shoulder to Ground, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17x45.2 cm; Addison Gallery of American Art

Background imageTurn Collection: Plate 226. Removing Water Jar from Shoulder to the Ground & Turning

Plate 226. Removing Water Jar from Shoulder to the Ground & Turning
3950208 Plate 226. Removing Water Jar from Shoulder to the Ground & Turning, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.4x44.8 cm; Addison Gallery of American Art

Background imageTurn Collection: Plate 137. Descending Stairs, Turning Around, 1872-85 (collotype on paper)

Plate 137. Descending Stairs, Turning Around, 1872-85 (collotype on paper)
3950178 Plate 137. Descending Stairs, Turning Around, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.7x37.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageTurn Collection: Sketches at the Bisley Rifle Meeting (engraving)

Sketches at the Bisley Rifle Meeting (engraving)
1038233 Sketches at the Bisley Rifle Meeting (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches at the Bisley Rifle Meeting)

Background imageTurn Collection: 'Please turn your head away. Don t look, don t! '(engraving)

"Please turn your head away. Don t look, don t! "(engraving)
3656012 " Please turn your head away. Don t look, don t! " (engraving) by English School, (19th century); Private Collection; (add.info.: " Please turn your head away)

Background imageTurn Collection: Dinner-Time, Zululand (b / w photo)

Dinner-Time, Zululand (b / w photo)
3092419 Dinner-Time, Zululand (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Dinner-Time, Zululand)

Background imageTurn Collection: The London Samaritan Societys Distribution of Boots and Clothing to Poor Children (engraving)

The London Samaritan Societys Distribution of Boots and Clothing to Poor Children (engraving)
1107326 The London Samaritan Societys Distribution of Boots and Clothing to Poor Children (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info)

Background imageTurn Collection: Page from The American Tour of Messrs Brown, Jones and Robinson (engraving)

Page from The American Tour of Messrs Brown, Jones and Robinson (engraving)
3648720 Page from The American Tour of Messrs Brown, Jones and Robinson (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: Illustration for The American Tour of Messrs Brown)

Background imageTurn Collection: A Curious Experiment with Paper Rings (engraving)

A Curious Experiment with Paper Rings (engraving)
3627789 A Curious Experiment with Paper Rings (engraving) by English School, (19th century); Private Collection; (add.info.: A Curious Experiment with Paper Rings)

Background imageTurn Collection: Dick Whittington at Holloway hearing Bow Bells ring (engraving)

Dick Whittington at Holloway hearing Bow Bells ring (engraving)
607158 Dick Whittington at Holloway hearing Bow Bells ring (engraving) by English School, (18th century); Private Collection; (add.info)

Background imageTurn Collection: End of August, 1909 (oil on canvas)

End of August, 1909 (oil on canvas)
CH448395 End of August, 1909 (oil on canvas) by Claus, Emile (1849-1924); 90x130 cm; Private Collection; (add.info.: Einde Augustus; ); Photo eChristies Images; Belgian, out of copyright

Background imageTurn Collection: The Lancellotti Discobolus (marble)

The Lancellotti Discobolus (marble)
704447 The Lancellotti Discobolus (marble) by Roman, (2nd century AD); Palazzo Massimo Lancellotti, Rome, Italy; (add.info.: A Roman copy of the 5th century BC Greek original by Myron)

Background imageTurn Collection: The Turnpike Gate, engraved by William Ward (1766-1826), pub

The Turnpike Gate, engraved by William Ward (1766-1826), pub
NP125522 The Turnpike Gate, engraved by William Ward (1766-1826), pub. by James Linnell, 1806 (mezzotint engraving) by Morland, George (1763-1804) (after); 45.1x59.6 cm; Private Collection; English

Background imageTurn Collection: How They Met Themselves, c. 1850 / 60 (pen & Indian ink) (see also 63161)

How They Met Themselves, c. 1850 / 60 (pen & Indian ink) (see also 63161)
FIT63160 How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161) by Rossetti, Dante Gabriel Charles (1828-82); 20x21.3 cm; Fitzwilliam Museum, University of Cambridge

Background imageTurn Collection: Venezia, Ponte della Ferrovia (b / w photo)

Venezia, Ponte della Ferrovia (b / w photo)
6012955 Venezia, Ponte della Ferrovia (b/w photo) by Italian Photographer, (19th century); Private Collection; (add.info.: Venezia, Ponte della Ferrovia)

Background imageTurn Collection: Venezia, Torre dell Orologio e Chiesas Marco (b / w photo)

Venezia, Torre dell Orologio e Chiesas Marco (b / w photo)
6012939 Venezia, Torre dell Orologio e Chiesas Marco (b/w photo) by Italian Photographer, (19th century); Private Collection; (add.info.: Venezia, Torre dell Orologio e Chiesas Marco)

Background imageTurn Collection: Norwich Cathedral (b / w photo)

Norwich Cathedral (b / w photo)
6013012 Norwich Cathedral (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Norwich Cathedral)

Background imageTurn Collection: Market Place, Yarmouth (b / w photo)

Market Place, Yarmouth (b / w photo)
6013004 Market Place, Yarmouth (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Market Place, Yarmouth)

Background imageTurn Collection: Harbour and Town Hall (b / w photo)

Harbour and Town Hall (b / w photo)
6012991 Harbour and Town Hall (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Harbour and Town Hall)

Background imageTurn Collection: Venezia, Chiesa della Salute (b / w photo)

Venezia, Chiesa della Salute (b / w photo)
6012937 Venezia, Chiesa della Salute (b/w photo) by Italian Photographer, (19th century); Private Collection; (add.info.: Venezia, Chiesa della Salute)



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"Turning the Tide: From Healing to Heroism, Landscapes to Fire Stations" Witnessing Jesus' miraculous turn as he heals the sick with compassion and grace. In the midst of chaos, a powerful image emerges - Regulars and Auxiliaries standing side by side during the Blitz in London. The Maserati Quattroporte Sport GT takes a thrilling turn on the open road, leaving hearts racing in its wake. Louis Wain's captivating artwork captures how possession becomes nine points of the law, unveiling hidden truths within his mesmerizing strokes. Colorado's breathtaking landscape near Aspen showcases Maroon Lake and distant Maroon Bells adorned with an early dusting of snow - nature's stunning seasonal turn. LCC-LFB Woolwich fire station stands tall as a symbol of bravery and resilience in Southeast London's firefighting efforts. Bishopsgate fire station in City of London turns into a beacon of hope amidst raging flames, protecting lives and property from destruction. At LCC-MFB HQ station in Southwark SE1, dedicated firefighters take their turn at safeguarding communities day after day with unwavering commitment. A glimpse into history reveals 19th-century ploughs turning fertile soil, shaping agricultural landscapes for generations to come. LCC-LFB Lambeth fire station proudly displays its array of appliances ready to respond at any moment - always prepared for their crucial turn on duty. LCC-LFB engines and crews stationed at Whitechapel exemplify unity as they swiftly navigate through bustling streets when every second counts. Shadwell Fire Station crew proudly exhibits their well-equipped fire engines on display – a testament to their readiness for any emergency that may arise. In this diverse collection spanning from divine healing to heroic acts, picturesque landscapes to steadfast firefighters' stations – each "turn" represents moments where individuals or communities rise to the occasion, leaving an indelible mark on history.