Goya Francisco Collection (#5)

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799

Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98
Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98

Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya
Plate 9 from Los Caprichos : Tantalus (Tantalo.), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799

Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799

Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor), 1799

Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco Goya
Old woman on a swing (Vieja columpiandose).n.d

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

The cloaked man (El Embozado). Creator: Unknown
The cloaked man (El Embozado)

Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de Espana, muger de Felipe Quarto), 1778

Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), from Etchings after Velazquez, 1778

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito), ca. 1815

Moenippus (Menipo Filosofo), 1778. Creator: Francisco Goya
Moenippus (Menipo Filosofo), 1778

Aesop (Aesopus), from Etchings after Velazquez, 1778. Creator: Francisco Goya
Aesop (Aesopus), from Etchings after Velazquez, 1778

A dwarf (un enano) known as El Primo after Diego Velazquez, 1778

A Maja standing against a dark background (Maja). Creator: Francisco Goya
A Maja standing against a dark background (Maja)

Sebastian Martinez y Perez (1747-1800), 1792. Creator: Francisco Goya
Sebastian Martinez y Perez (1747-1800), 1792

Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804. Creator: Francisco Goya
Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804

Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88. Creator: Francisco Goya
Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88

Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883). Creator
Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883)

Narcisa Baranana de Goicoechea. Creator: Francisco Goya
Narcisa Baranana de Goicoechea

Maria Luisa of Parma (1751-1819), Queen of Spain. Creator: Unknown
Maria Luisa of Parma (1751-1819), Queen of Spain

Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)
Don Bernardo de Iriarte (1735-1814)

Plate 8 from the Tauromaquia : A moor caught by the bull in the ring, ca. 1816

Plate 27 from Los Caprichos : Which of them is the more overcome? (Quien mas rendido
Plate 27 from Los Caprichos :Which of them is the more overcome? (Quien mas rendido?), 1799

Barbarous Entertainment (Barbara dibersion), 1800-1804. Creator: Francisco Goya
Barbarous Entertainment (Barbara dibersion), 1800-1804

Mlle. Victorine in the Costume of an "Espada", 1862. Creator: Edouard Manet
Mlle. Victorine in the Costume of an " Espada", 1862. In the manner of Goya

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Francisco Goya, a renowned Spanish artist of the 18th and 19th centuries, captivated audiences with his diverse range of artworks. From his thought-provoking series "Los Caprichos" to his mesmerizing portraits and captivating scenes, Goya's talent knew no bounds. In Plate 80 from Los Caprichos titled "It is time (Ya es hora. )", created in 1799, Goya delves into the concept of time and its inevitable passing. With meticulous detail and haunting imagery, he reminds us that every moment counts. Plate 60 from Los Caprichos called "Trials (Ensayos. )" showcases Goya's ability to depict human flaws and vices. Through this piece, created in 1799, he explores the complexities of human nature and our tendency to succumb to temptation. Goya's Plate 25 from Los Caprichos titled "If he broke the pot (Si quebro el Cantaro. ), " created in 1799, offers a glimpse into societal norms and expectations. It serves as a reminder that even seemingly trivial actions can have profound consequences. "Majas on a Balcony, " painted around ca. 1800-1810 by Francisco Goya captures the allure and gracefulness of women against an idyllic backdrop. This masterpiece showcases his ability to capture beauty in everyday moments. "The Hanged Monk, " created around c. 1810 by Francisco Goya depicts a somber scene filled with mystery and intrigue. The painting leaves viewers questioning what led to such tragedy while showcasing Goya's mastery over capturing emotions through art. In "Winter Scene, " painted circa1786 by Francisco Goya transports viewers into a serene winter landscape filled with delicate details that evoke feelings of tranquility amidst nature's harshness. Through his portrait of General Jose Manuel Romero circa1810, Francisco Goya immortalizes an esteemed military figure while highlighting his own skill in capturing the essence and personality of his subjects.