Francisco Jose De Collection

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya
Pllate 60 from Los Caprichos : Trials (Ensayos.), 1799

Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya
Senora Sabasa Garcia, c. 1806/1811

Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya
Charles IV of Spain as Huntsman, c. 1799/1800

BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya
Bartolome Sureda y Miserol, c. 1803/1804

Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya
Young Lady Wearing a Mantilla and Basquina, c. 1800/1805

Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Victor Guye, 1810. Creator: Francisco Goya
Victor Guye, 1810

Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya
Therese Louise de Sureda, c. 1803/1804

Don Antonio Noriega, 1801. Creator: Francisco Goya
Don Antonio Noriega, 1801

The Marquesa de Pontejos, c. 1786. Creator: Francisco Goya
The Marquesa de Pontejos, c. 1786

Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya
Portrait of a Young Man, ca. 1820

Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya
Philip IV on horseback, after Velazquez, 1778

Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a
Plate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816

Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816

Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816

Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]
Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816

Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816

Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816

Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816

Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816

Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816

Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778

Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca. 1816-23 (published 1864)

Plate 18 from the Disparates : Birds of a feather flock together, ca
Plate 18 from the Disparates :Birds of a feather flock together, ca. 1816-23 (published 1864)

Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)
Plate 9 from the Disparates :General folly, ca. 1816-23 (published 1864)

Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco Goya
Plate C: The dogs let loose on the bull. ca. 1816

Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid. 1816

Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, 1816

Plate 23 from the Tauromaquia : Mariano Ceballos, alias the Indian
Plate 23 from the Tauromaquia :Mariano Ceballos, alias the Indian, kills the bull from his horse. 1816

Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816

Plate 20 from the Tauromaquia : The agility and audacity of Juanito Apiñ
Plate 20 from the Tauromaquia :The agility and audacity of Juanito Apinani in [the ring] at Madrid. 1816

Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles, banderillas and other arms. 1816

Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816

Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816

Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling the
Plate 6 from The Tauromaquia :The Moors make a different play in the ring calling the bull with their burnous. 1816

Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls according to the rules, 1816

Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published 1877)

Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)

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"Discovering the Artistic World Goya" Step into the captivating world Goya, a renowned Spanish artist whose works continue to mesmerize art enthusiasts even today. From his iconic series "Los Caprichos" to his stunning portraits and depictions of historical figures, Goya's talent knows no bounds. In Plate 80 from Los Caprichos titled "It is time (Ya es hora. )", Goya delves into societal critique, urging viewers to reflect on the passage of time and its impact on our lives. Similarly, Plate 60 explores the theme of trials (Ensayos. ), inviting us to ponder the complexities and challenges that life presents. Goya's ability to capture human emotions shines through in Plate 25 from Los Caprichos: "If he broke the pot (Si quebroel Cantaro. )". This thought-provoking piece invites contemplation about consequences and accountability for one's actions. Moving beyond satire, Goya also showcases his mastery in portraiture. The Duke of Wellington portrait reflects not only his technical skill but also pays homage to an influential figure during that era. Senora Sabasa Garcia captivates with her enigmatic gaze while Charles IV as Huntsman exudes regal authority. Bartolome Sureda y Miserol captures attention with its intricate details, showcasing Goya's ability to bring characters vividly alive on canvas. Meanwhile, Young Lady Wearing a Mantilla and Basquina epitomizes elegance and grace in every brushstroke. Glimpses into history are revealed through Maria Teresa de Borbon y Vallabriga’s portrait as well as Victor Guye’s depiction – both capturing moments frozen in time forever by Goya’s hand. Therese Louise de Sureda emanates strength and poise while Don Antonio Noriega portrays a dignified presence amidst turbulent times.