Fraud Blocker Skip to main content

Home > Arts > Artists > Francisco Goya > Black paintings by Goya

Black paintings by Goya Collection (#2)

324 Items

Background imageBlack paintings by Goya Collection: Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing)

Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing)
AIS5349656 Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid, Spain; eIberfoto; Spanish

Background imageBlack paintings by Goya Collection: Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya

Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya
Portrait of a Young Man, ca. 1820

Background imageBlack paintings by Goya Collection: Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya

Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya
Philip IV on horseback, after Velazquez, 1778

Background imageBlack paintings by Goya Collection: Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a

Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a
Plate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816

Background imageBlack paintings by Goya Collection: Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Background imageBlack paintings by Goya Collection: Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Background imageBlack paintings by Goya Collection: Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816

Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816

Background imageBlack paintings by Goya Collection: Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short

Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816

Background imageBlack paintings by Goya Collection: Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]

Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]
Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816

Background imageBlack paintings by Goya Collection: Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Background imageBlack paintings by Goya Collection: Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Background imageBlack paintings by Goya Collection: Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears

Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816

Background imageBlack paintings by Goya Collection: Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816

Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816

Background imageBlack paintings by Goya Collection: Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape

Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816

Background imageBlack paintings by Goya Collection: Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse

Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816

Background imageBlack paintings by Goya Collection: Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Background imageBlack paintings by Goya Collection: Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls

Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816

Background imageBlack paintings by Goya Collection: Baltasar Carlos, Prince of Spain and Son of Philip IV (D

Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778

Background imageBlack paintings by Goya Collection: Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca

Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 18 from the Disparates : Birds of a feather flock together, ca

Plate 18 from the Disparates : Birds of a feather flock together, ca
Plate 18 from the Disparates :Birds of a feather flock together, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)

Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)
Plate 9 from the Disparates :General folly, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

Background imageBlack paintings by Goya Collection: Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco Goya

Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco Goya
Plate C: The dogs let loose on the bull. ca. 1816

Background imageBlack paintings by Goya Collection: Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid

Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid. 1816

Background imageBlack paintings by Goya Collection: Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro

Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, 1816

Background imageBlack paintings by Goya Collection: Plate 23 from the Tauromaquia : Mariano Ceballos, alias the Indian

Plate 23 from the Tauromaquia : Mariano Ceballos, alias the Indian
Plate 23 from the Tauromaquia :Mariano Ceballos, alias the Indian, kills the bull from his horse. 1816

Background imageBlack paintings by Goya Collection: Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid

Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816

Background imageBlack paintings by Goya Collection: Plate 20 from the Tauromaquia : The agility and audacity of Juanito Apiñ

Plate 20 from the Tauromaquia : The agility and audacity of Juanito Apiñ
Plate 20 from the Tauromaquia :The agility and audacity of Juanito Apinani in [the ring] at Madrid. 1816

Background imageBlack paintings by Goya Collection: Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles

Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles, banderillas and other arms. 1816

Background imageBlack paintings by Goya Collection: Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816

Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816

Background imageBlack paintings by Goya Collection: Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816

Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816

Background imageBlack paintings by Goya Collection: Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling the

Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling the
Plate 6 from The Tauromaquia :The Moors make a different play in the ring calling the bull with their burnous. 1816

Background imageBlack paintings by Goya Collection: Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls

Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls according to the rules, 1816

Background imageBlack paintings by Goya Collection: Plate D from the Disparates : Fools- or Little Bulls - folly, ca

Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published 1877)

Background imageBlack paintings by Goya Collection: Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)

Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)

Background imageBlack paintings by Goya Collection: Plate 12 from the Disparates : If Marion will dance, then she has... ca

Plate 12 from the Disparates : If Marion will dance, then she has... ca
Plate 12 from the Disparates : If Marion will dance, then she has to take the consequences, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca. 1854)

Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca. 1854)
Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca.1854)

Background imageBlack paintings by Goya Collection: Plate 7 from the Disparates : Disorderly Folly, ca. 1816-23 (published 1864)

Plate 7 from the Disparates : Disorderly Folly, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 6 from the Disparates : It is amazing-and we were made by God, ca

Plate 6 from the Disparates : It is amazing-and we were made by God, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published ca. 1848)

Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published ca. 1848)

Background imageBlack paintings by Goya Collection: Plate 1 from the Disparates : Feminine folly. ca. 1816-23 (published 1864)

Plate 1 from the Disparates : Feminine folly. ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 17 from the Disparates : Loyalty, ca. 1816-23 (published 1864)

Plate 17 from the Disparates : Loyalty, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate 8 from the Disparates : The men in sacks, ca. 1816-23 (published 1864)

Plate 8 from the Disparates : The men in sacks, ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Disparates (Los Proverbios), ca. 1816-23 (published 1864). Creator: Francisco Goya

Disparates (Los Proverbios), ca. 1816-23 (published 1864). Creator: Francisco Goya
Disparates (Los Proverbios), ca. 1816-23 (published 1864)

Background imageBlack paintings by Goya Collection: Plate D from the Disparates : Fools- or Little Bulls - fo... ca

Plate D from the Disparates : Fools- or Little Bulls - fo... ca
Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published before 1877)

Background imageBlack paintings by Goya Collection: Plate C from the Disparates : Animal Folly, ca. 1816-23 (published before 1877)

Plate C from the Disparates : Animal Folly, ca. 1816-23 (published before 1877)

Background imageBlack paintings by Goya Collection: Plate B from the Disparates : Punctual Folly, ca. 1816-23 (published before 1877)

Plate B from the Disparates : Punctual Folly, ca. 1816-23 (published before 1877)
Plate B from the Disparates :Punctual Folly, ca. 1816-23 (published before 1877)



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site