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Sergeant Ewart capturing the Eagle at Waterloo, illustration from
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Sergeant Ewart capturing the Eagle at Waterloo, illustration from
STC397054 Sergeant Ewart capturing the Eagle at Waterloo, illustration from Battles of the Nineteenth Century by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (colour litho) by Wollen, William Barnes (1857-1936) (after); Private Collection; (add.info.: Ensign Charles Ewart (1769-1846), Scottish soldier of the Royal North British Dragoons; captured the regimental eagle of the 45th Regiment of the Line at the Battle of Waterloo, 1815; ); The Stapleton Collection; English, out of copyright
Media ID 23248918
© The Stapleton Collection / Bridgeman Images
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EDITORS COMMENTS
This print captures the heroic moment of Sergeant Ewart capturing the Eagle at Waterloo. Illustrated by William Barnes Wollen, this artwork is a stunning depiction of Ensign Charles Ewart, a Scottish soldier from the Royal North British Dragoons, as he valiantly seizes the regimental eagle of the 45th Regiment of the Line during the Battle of Waterloo in 1815. The image showcases Sergeant Ewart on horseback, sword raised high in triumph, as he confronts his French adversaries on the battlefield. The intensity and determination in his eyes are palpable, reflecting his unwavering commitment to victory. The composition beautifully portrays not only the clash between soldiers but also highlights the power and grace of horses amidst chaos. The artist skillfully captures every detail - from each individual's facial expressions to their meticulously rendered uniforms - creating an immersive experience for viewers. This historic moment symbolizes bravery and resilience in times of conflict. It serves as a reminder that even against insurmountable odds, individuals can rise above adversity with courage and tenacity. As part of The Stapleton Collection and now housed within a private collection, this color lithograph continues to inspire awe and admiration for those who appreciate both artistry and historical significance.
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